■ Still Alice (Lisa Genova; 2009. 292 pages. Fiction.)
■ Saga, Volume 4 (Brian K. Vaughan; 2014. 144 pages. Graphic fiction.)
■ Charm & Strange (Stephanie Kuehn ; 2013. 224 pages. Fiction.)
■ Life After the Death of My Son: What I’m Learning (Dennis L. Apple; 2008. 192 pages. Memoir.)
■ The Wake (Scott Snyder; 2014. 256 pages. Graphic fiction.)
■ Fatale, Book 3: West of Hell (Ed Brubaker; 2012. 128 pages. Graphic fiction.)
■ Fatale, Book 2: The Devil’s Business (Ed Brubaker; 2013. 136 pages. Graphic fiction.)
■ The Children’s Hour (Lillian Hellman; 1953. 72 pages. Drama.)
■ Citizen: An American Lyric (Claudia Rankine; 2014. 160 pages. Poetry.)
■ The Testament of Mary (Colm Tóibín; 2012. 96 pages. Fiction.)
■ Isaac’s Eye (Lucas Hnath; 2014. 113 pages. Drama.)
■ The Lost Daughter (Elena Ferrante; 2008. 125 pages. Fiction.)
■ The Good Nurse: A True Story of Medicine, Madness, and Murder (Charles Graeber; 2013. 320 pages. Non-fiction.)
■ Fatale, Book 1: Death Chases Me (Ed Brubaker; 2012. 144 pages. Graphic fiction.)
■ The Long Way Home (Buffy the Vampire Slayer, Season 8, Vol. 1) (Joss Whedon; 2010. 136 pages. Graphic fiction.)
■ Lazarus Volume 2 (Greg Rucka; 2014. 104 pages. Graphic fiction.)
■ Lazarus Volume 1 (Greg Rucka; 2013. 96 pages. Graphic fiction.)
■ The Adversary: A True Story of Monstrous Deception (Emmanuel Carrère; 2002. 191 pages. Non-fiction.)
■ Pericles (William Shakespeare (1606?); Folger ed. 2005. 304 pages. Drama.) *
■ So Much Pretty (Cara Hoffman; 2011. 320 pages. Fiction.)
■ Revival Volume 4: Escape to Wisconsin (Tim Seeley; 2014. 128 pages. Graphic fiction.)
■ The Walking Dead Volume 22: A New Beginning (Robert Kirkman; 2014. 135 pages. Graphic fiction.)
■ The Walking Dead Volume 21: All Out War Part 2 (Robert Kirkman; 2014. 135 pages. Graphic fiction.)
■ Iphigeneia at Aulis (Euripides. (Merwin / Dimock trans.; 1992). 128 pages. Drama.)
■ All My Sons (Arthur Miller. (1947 / 2000. 112 pages. Drama.)
■ Neurocomic (Hana Ros; 2014. 144 pages. Graphic non-fiction.)
■ The Gatekeepers: Inside the Admissions Process of a Premier College (Jacques Steinberg; 2003. 336 pages. Non-fiction.)
■ Station Eleven (Emily St. John Mandel; 2014. 352 pages. Fiction.)
■ Gabriel: A Poem (Edward Hirsch; 2014. 96 pages. Poetry.)
■ My Friend Jeffrey Dahmer (Derf Backderf; 2012. 224 pages. Graphic non-fiction.)
■ Adult Literacy Handbook for Students and Tutors (Anita H. Pomerance; 1999. 141 pages. Non-fiction.)
■ How We Learn: The Surprising Truth About When, Where, and Why It Happens (Benedict Carey; 2014. 272 pages. Non-fiction.)
■ Fangirl (Rainbow Rowell; 2013. 448 pages. Fiction.)
■ Don’t Try to Find Me (Holly Brown; 2014. 368 pages. Fiction.)
■ Better by Mistake: The Unexpected Benefits of Being Wrong (Alina Tugend; 2011. 304 pages. Non-fiction.)
■ Brothers Emanuel: A Memoir of an American Family (Ezekiel Emanuel; 2013. 288 pages. Non-fiction.)
■ The Wasp Factory (Iain Banks; 1998. 192 pages. Fiction.)
■ Be Safe I Love You (Cara Hoffman; 2014. 304 pages. Fiction.)
■ Insurgent (Veronica Roth; 2012. 544 pages. Fiction.)
■ The Book of You (Clare Kendal; 2014. 368 pages. Fiction.)
■ Bird Box (Josh Malerman; 2014. 272 pages. Fiction.)
■ Snowpiercer, Vol. 2: The Explorers (Jacques Lob; Benjamin Legrand (1999 and 2000); 2014. 140 pages. Graphic fiction.)
■ LITSTART: Strategies for Adult Learners and ESL Tutors (Patricia Frey; 1999. 246 pages. Non-fiction.)
■ The Good Girl (Mary Kubica; 2014. 352 pages. Fiction.)
■ Snowpiercer, Vol. 1: The Escape (Jacques Lob (Le Transperceneige, 1999); 2014. 110 pages. Graphic fiction.)
■ Eleanor and Park (Rainbow Rowell; 2013. 336 pages. Fiction.)
■ Brave New World (Aldous Huxley (1932); 2006 ed. 288 pages. Fiction.) *
■ What the Best College Teachers Do (Ken Bain; 2004. 207 pages. Non-fiction.)
■ Big Little Lies (Liane Moriarty; 2014. 480 pages. Fiction.)
■ Shakespeare: The World as a Stage (Bill Bryson; 2013. 208 pages. Non-fiction.)
■ Monument 14 (Emmy Laybourne; 2013. 352 pages. Fiction.)
■ Quiet: The Power of Introverts in a World That Can’t Stop Talking (Susan Cain; 2012. 352 pages. Non-fiction.)
■ The Three (Sarah Lotz; 2014. 480 pages. Fiction.)
■ A Season of Gifts (Richard Peck; 2009. 176 pages. Fiction.)
■ Landline (Rainbow Rowell; 2013. 320 pages. Fiction.)
■ Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die (Eric Siegel ; 2013. 320 pages. Non-fiction.)
■ Big Data: A Revolution That Will Transform How We Live, Work, and Think (Viktor Mayer-Schönberger and Kenneth Cukier; 2013. 256 pages. Non-fiction.)
■ Magritte: The Mystery of the Ordinary, 1926-1938 (The Museum of Modern Art, New York; 2013. 256 pages. Non-fiction.)
■ Magritte (Marcel Paquet; 2012. 96 pages. Non-fiction.)
■ Kandinsky (Hajo Duchting; 2012. 96 pages. Non-fiction.)
■ In the Basement of the Ivory Tower: Confessions of an Accidental Academic (Professor X; 2011. 288 pages. Non-fiction.)
■ Antony and Cleopatra (William Shakespeare (1606); Folger ed. 2005. 336 pages. Drama.)
■ The Girl with All the Gifts (M.R. Cary; 2014. 416 pages. Fiction.)
■ Python for Informatics: Exploring Information (Charles R. Severance; 2013. 244 pages. Non-fiction.)
■ The Stranger (Albert Camus (1942); 1989 edition. 123 pages. Fiction.) *
■ Jane Eyre (Charlotte Brontë (1847); 2005 B&N edition. 592 pages. Fiction.) *
■ The Fever (Meg Abbott; 2014. 320 pages. Fiction.)
■ Burial Rites (Hannah Kent; 2013. 336 pages. Fiction.)
■ The Other Side of Sadness (George A. Bonanno; 2010. 240 pages. Non-fiction.)
■ The Blue Fox (Sjón; 2013. 128 pages. Fiction.)
■ The Dance of Death (August Strindberg (Conor McPherson, trans.); 1900 (2012). Drama.)
■ We Were Liars (E. Lockhart; 2014. 240 pages. Fiction.)
■ The Detainee (Peter Liney; 2014. 352 pages. Fiction.)
■ Annihilation (Jeff VanderMeer; 2014. 208 pages. Fiction.)
■ All’s Well That Ends Well (William Shakespeare (1604); Folger ed. 2006. 336 pages. Drama.)
■ Soft Apocalypse (Will McIntosh; 2011. 239 pages. Fiction.)
■ One Day in the Life of Ivan Denisovich (Alexander Sozhenitsyn; 1962/2009. 208 pages. Fiction.) *
■ Masterpiece Comics (R. Sikoryak; 2009. 64 pages. Fiction.)
■ Infected (Scott Sigler; 2008. 384 pages. Fiction.)
■ Veronica Mars: The Thousand-Dollar Tan Line (Rob Thomas and Jennifer Graham; 2014. 336 pages. Fiction.)
■ Running Wild (J.G. Ballard; 1989. 116 pages. Fiction.)
■ The How and the Why (Sarah Treem; 2013. Drama.)
■ Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade (Walter Kirn; 2014. 272 pages. Non-fiction.)
■ Dope (Sara Gran; 2007. 256 pages. Fiction.)
■ People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo (Richard Lloyd Parry; 2012. 464 pages. Non-fiction.)
■ The Troop (Nick Cutter; 2014. 368 pages. Fiction.)
■ The Mayo Clinic Diet (2012. 254 pages. Non-fiction.)
■ This Is Where I Leave You (Jonathan Trooper; 2009. 352 pages. Fiction.)
■ Of Mice and Men (John Steinbeck; 1937. 112 pages. Fiction.) *
■ Gideon’s Knot (Johanna Adams; DPS new acquisition / unbound. Drama.)
■ The Best American Science and Nature Writing 2013 (ed. Siddhartha Mukherjee; 2013. 368 pages. Non-fiction.)
■ Lexicon (Max Barry; Folger ed. 2013. 400 pages. Fiction.)
■ The Circle (Dave Eggers; 2013. 504 pages. Fiction.)
■ The Good Sister (Drusilla Campbell; 2010. 352 pages. Fiction.)
■ The Two Gentlemen of Verona (William Shakespeare (1589); Folger ed. 2006. 304 pages. Drama.) *
■ Hedda Gabler (Henrik Ibsen; 1890. Drama.) *
■ Labor Day (Joyce Maynard; 2009. 256 pages. Fiction.)
■ The Living (Matt De La Peña; 2013. 320 pages. Fiction.)
■ Henry V (William Shakespeare (1599); Folger ed. 2004. 294 pages. Drama.) *
■ Henry IV, Part II (William Shakespeare (1599); Folger ed. 2006. 400 pages. Drama.) *
■ Henry IV, Part I (William Shakespeare (1597); Folger ed. 2005. 336 pages. Drama.) *
■ The Wonderful Wizard of Oz (L. Frank Baum; 1895 / 2008. 224 pages. Juvenile fiction.)
■ Cartwheel (Jennifer duBois; 2013. 384 pages. Fiction.)
■ The Wicked Girls (Alex Marwood; 2013. 384 pages. Fiction.)

* Denotes a reread