Flute adventures

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It’s impossible to explain the brain tic that made the Rimsky-Korsokov completely readable, while my repeated errors in 34 finally reduced me to writing it out during a particularly grueling practice session. (Yes, I probably should have erased it once I had “mastered” the passage, but that is, after all, how this sausage finally got made.)

With ornament exercises 34 and 35 (which, coupled with 33 in December, kicked my amateur musician’s capacious ass), I completed the Rubank Advanced Method: Flute, Volume II, at last night’s lesson. That’s kind of a big deal. Even my no-nonsense teacher took a moment to appreciate the accomplishment.

In addition to scale and tone exercises and P. Bona’s rhythmical articulation studies, I am now working in Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 1. And in addition to my solo piece (currently Handel’s Flute sonata in G major (HWV 363b)), I prepare my part of a new (reasonably short) duet each week.

My current daily practice schedule:

— 20 minutes: long tones and scales
— 20 minutes: Melodious and Progressive Studies
— 20 minutes: duet
— 15 minutes: rhythmical articulation
— 15 minutes: solo

Later this month, band rehearsals begin: twice weekly plus sectionals. At that point, I think I’m looking at another increase in practice time:

— 20 minutes: long tones and scales
— 20 minutes: Melodious and Progressive Studies
— 20 minutes: duet
— 15 minutes: rhythmical articulation
— 20 minutes: solo
— 20 minutes: band music or other

I’ve already met with musicians in my section and reviewed the selections from last semester. The music is fun but not too challenging — perfect for someone who wants to (re)learn how to play well with others before tackling the challenges of say, the first and second flute part of “Variations on a Korean Folk Song” or Shostakovich’s “Festive Overture.” * Preparation for duets with my husband, who has recently taken up the clarinet, and some exploration (e.g., sight reading exercises and revisiting the pieces in my repertoire, such as it is) will comprise “other.”

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* Which is what I was assigned when I joined the community band of the local college two years ago this month. The group is lovely, and the flute players I sat between were not only solid musicians but kind, patient teachers. Still… The music would represent a challenge to me now. Then? It was almost impossible. “Play what you can,” everyone says, but I felt as if I had missed a key step in my development as a musician. In high school, you usually do some learning and growing in concert band before you earn a spot in wind ensemble, you know? So I have joined the adult equivalent of concert band.

Jólabókaflóðið treasures

15AFF5D1-EC5A-44ED-93B9-294B3A19FB34My winter break is moving fast! My daughters, who spent Christmas week with us, have returned to Boston, and my husband and I have begun Part II of our two-week vacation. I know I’m not the only parent of adult children who wonders, “Where did the time go?” Today, though, I am choosing book talk over melancholic musings, so here are a few titles from my Jólabókaflóðið haul. More to follow.

The year in books

71975def-17e0-48e0-9d56-39fe2e09a477With nearly a week remaining in the year, there is little question that I will finish Providence of a Sparrow: Lessons from a Life Gone to the Birds, so I am calling it at 121 books read this year. (As always, I have included only cover-to-covers.) Here is my complete list, and here are a few numbers:

— 50 novels (not including graphic works)
— 38 non-fiction titles (not including graphic works)
— 3 poetry selections
— 6 plays
— 24 graphic works (six of which were non-fiction selections)

As I recounted in October, I crafted a bold challenge for this year: Read one hundred books from my shelves (i.e., books in my collection before the end of 2018), including at least 24 non-fiction titles and at least one book from each of the following “special collections”: Shakespeare, poetry, NYRB, Vonnegut, Joyce Carol Oates, philosophy, art, and children’s / YA. I also planned to make short work of 2018’s unfinished business and to closely (re)read Moby-Dick.

Knowing that my daughters’ relocation would consume a great deal of my spring and summer, I chose a goal of 104 books total for the year, but I happily surpassed that goal by 17. So, while I did not meet my challenge of one hundred from the shelves, it was certainly a fascinating and productive year of reading! I read a total of 44 non-fiction books — a substantial increase over previous years; 19 of these were from my shelves. Well before my October review I had completed the books I carried over from last year, and I completed my reread of Moby-Dick on Christmas Eve. I met all of my mini-challenges, too:

Shakespeare RFS: Hamlet
Poetry RFS: Lunch Poems (Frank O’Hara)
NYRB RFS: The Summer Book (Tove Jansson)
Vonnegut RFS: Player Piano
Joyce Carol Oates RFS: The Rise of Life on Earth
Philosophy RFS: Letters from a Stoic (Seneca)
Art RFS: But is it art? (Cynthia Freeland)
Children’s / YA RFS: Milkweed (Jerry Spinelli)

Here are a few more facts about this year’s 121 books, 32 of which were published this year:

— 54 read from shelves
— 31 acquired this year
— 28 borrowed from the library
— 8 other

And here are the standouts:

Even better on rereading:
Moby-Dick; Or, The Whale (Herman Melville; 1851. Fiction.)
Beowulf (Trans. Seamus Heaney; 2000. Poetry.)
Oedipus the King (Sophocles (Trans. Ian Johnston; 2007); 429 B.C. Drama.)

The most engrossing books I read this year (not including rereads):
Ghost Wall (Sarah Moss; 2018. Fiction.)
A Loss for Words: The Story of Deafness in a Family (Lou Ann Walker; 1986. Non-fiction.)
The Wall (John Lanchester; 2019. Fiction.)
Charmed Particles (Chrissy Kolaya; 2015. Fiction.)
Dopesick: Dealers, Doctors, and the Drug Company that Addicted America (Beth Macy; 2018. Non-fiction.)
An Odyssey: A Father, a Son, and an Epic (Daniel Mendelsohn; 2017. Non-fiction.)
The Mighty Franks (Michael Frank; 2017. Non-fiction.)
In the Woods (Tana French; 2007. Fiction.)

Honorable mention:
The Story of Arthur Truluv (Elizabeth Berg; 2017. Fiction.)
American Spy (Lauren Wilkinson; 2019. Fiction.)
Wild Game (Adrienne Brodeur; 2019. Non-fiction.)
All the Names They Used for God (Anjali Sachdeva; 2018. Fiction.)

Fabulous story for a long car trip:
Paddle Your Own Canoe (Nick Offerman; 2013. Non-fiction.)

Fabulous story to read while waiting in airports:
My Sister, The Serial Killer (Oyinkan Braithwaite; 2018. Fiction.)

Cannot stop talking about the ideas in these books:
Paying for the Party: How College Maintains Inequality (Elizabeth Armstrong and Laura Hamilton; 2013. Non-fiction.)
The Class Ceiling: Why it Pays to be Privileged (Sam Friedman and Daniel Laurison; 2019. Non-fiction.)
The Years That Matter Most (Paul Tough; 2019. Non-fiction.)
The Privileged Poor (Anthony Abraham Jack; 2019. Non-fiction.)

Best graphic works I read this year:
Nobody’s Fool: The Life and Times of Schlitzie the Pinhead (Bill Griffith; 2019. Graphic non-fiction.)
They Called Us Enemy (George Takei; 2017. Graphic non-fiction.)

At this writing, I am still drafting my 2020 goals, but 120 will likely be my minimum total, with at least 24 non-fiction. Otherwise? In 2017, I completed “Shakespeare in a Year,” and the group is reconvening in 2020 to follow this schedule. Although I posted the schedule and accepted an invitation to serve as a moderator, I remain ambivalent. I had planned to reread at least four of the plays in 2020 (in anticipation of productions we are slated to see), but I have the ingredients of several other projects — including the Bible, Ovid’s Metamorphoses, and a reread of George Eliot’s Middlemarch — any of which would prove more compelling than revisiting the sonnets. Heh, heh, heh. (This year’s projects included rereading James Joyce’s Ulysses and Herman Melville’s Moby-Dick.)

No matter what I decide, I will continue to participate in Robin’s “52 Books in 52 Weeks.” Speaking of which, one of her suggested challenges is to read three Agatha Christie works in 2020. Because Robin got me hooked on Louise Penny’s Inspector Gamache series, the recommendation to return to Christie, an author I once adored, has that serendipity / synchronicity / synthesis vibe that I so appreciate.

“Hast seen the White Whale?”

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My November 2013 image of the sperm whale sculpture by Preston Jackson.

Chapter 104: The Fossil Whale
One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor’s quill! Give me Vesuvius’ crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their outreaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.

Chapter 113: The Forge
“Well, well; no more. Thy shrunk voice sounds too calmly, sanely woeful to me. In no Paradise myself, I am impatient of all misery in others that is not mad. Thou should’st go mad, blacksmith; say, why dost thou not go mad? How can’st thou endure without being mad? Do the heavens yet hate thee, that thou can’st not go mad?—What wert thou making there?”

Chapter 115: The Pequod Meets the Bachelor
“Hast seen the White Whale?” gritted Ahab in reply.

“No; only heard of him; but don’t believe in him at all,” said the other good-humoredly. “Come aboard!”

“Thou art too damned jolly. Sail on. Hast lost any men?”

“Not enough to speak of — two islanders, that’s all; — but come aboard, old hearty, come along. I’ll soon take that black from your brow. Come along, will ye (merry’s the play); a full ship and homeward-bound.”

“How wondrous familiar is a fool!” muttered Ahab….

Chapter 135: The Chase
“Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother’s drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.”

Don’t be afraid, my butter-boxes

6DF9F86D-56B3-4B72-85C0-C1126DE8AE83Chapter 81: The Pequod Meets the Virgin
:: “Don’t be afraid, my butter-boxes,” cried Stubb, casting a passing glance upon them as he shot by; “ye’ll be picked up presently—all right—I saw some sharks astern—St. Bernard’s dogs, you know—relieve distressed travellers….”

:: For all his old age, and his one arm, and his blind eyes, he must die the death and be murdered, in order to light the gay bridals and other merry-makings of men, and also to illuminate the solemn churches that preach unconditional inoffensiveness by all to all.

Chapter 85: The Fountain
Seldom have I known any profound being that had anything to say to this world, unless forced to stammer out something by way of getting a living. Oh! happy that the world is such an excellent listener!

Chapter 86: The Tail
It never wriggles. In man or fish, wriggling is a sign of inferiority.

Chapter 93: The Castaway
So soon as he recovered himself, the poor little negro was assailed by yells and execrations from the crew. Tranquilly permitting these irregular cursings to evaporate, Stubb then in a plain, business-like, but still half humorous manner, cursed Pip officially; and that done, unofficially gave him much wholesome advice. The substance was, Never jump from a boat, Pip, except — but all the rest was indefinite, as the soundest advice ever is. Now, in general, Stick to the boat, is your true motto in whaling; but cases will sometimes happen when Leap from the boat, is still better. Moreover, as if perceiving at last that if he should give undiluted conscientious advice to Pip, he would be leaving him too wide a margin to jump in for the future; Stubb suddenly dropped all advice, and concluded with a peremptory command, “Stick to the boat, Pip, or by the Lord, I won’t pick you up if you jump; mind that. We can’t afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama. Bear that in mind, and don’t jump any more.” Hereby perhaps Stubb indirectly hinted, that though man loved his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence.