Art and literature

My image of “Adam and Eve” (1528) by Lucas Cranach the Elder.
Recently seen (again) at Detroit Institute of Arts.

Through courses at UChicago and Roundtable I have finally read Paradise Lost. From Book IV:

Two of far nobler shape, erect and tall,
God—like erect, with native honour clad
In naked majesty, seemed lords of all,
And worthy seemed; for in their looks divine
The image of their glorious Maker shon,
Truth, wisdom, sanctitude severe and pure—
Severe, but in true filial freedom placed,
Whence true authority in men: though both
Not equal, as their sex not equal seemed;
For contemplation he and valour formed,
For softness she and sweet attractive grace;
He for God only, she for God in him.

My image of “The Fire Next Time” (1968) by Vincent Smith.
Also recently seen (again) at Detroit Institute of Arts.

Inspired by President Obama’s “A Great Book” podcast I have also finally read James Baldwin’s The Fire Next Time.

:: It is so simple a fact and one that is so hard, apparently, to grasp: Whoever debases others is debasing himself. That is not a mythical statement but a most realistic one…. (page 83)

:: Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have. It seems to me that one ought to rejoice in the fact of death — ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible to life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. One must negotiate this passage as nobly as possible, for the sake of those were coming after us. (page 91)

More books

Two gifts and three purchases; shelved.

This morning I finished Paradise Lost, but it remains on the stack beside my favorite chair because I am rereading it, this time for a Roundtable course. Other books I’m (re)reading for Roundtable courses this month include Interpreter of Maladies (Jhumpa Lahiri; 1999), The Color of Water (James MacBride; 1995), Troilus and Criseyde (Chaucer; 1380), and Troilus and Cressida (Shakespeare; 1602). For my reread of Dante’s Inferno, which will continue through November, I am using both Mary Jo Bang’s translation and John Aitkin Carlyle’s. With my daughters I’m reading The Magician’s Nephew (C.S. Lewis; 1955) and Stories of Your Life and Others (Ted Chiang; 2002). In advance of the first episode of A Great Book with Barack Obama, I’m reading The Fire Next Time (James Baldwin; 1963). My husband and I continue our slow read of Oliver Ready’s translation of Crime and Punishment. And before bed most nights, I read a few pages of Murder Book: A Graphic Memoir of a True Crime Obsession (Hilary Fitzgerald Campbell; 2021), which absolutely delights this unabashed true crime (and graphic works) fan.

At the Art Institute again

We arrived in time to take advantage of member hour, entering before the rains began. My photos show “Public Park” by Ker-Xavier Roussel, “Mother and Child” by Julius Gabri Melchers, “Untitled (Fumage)” by Wolfgang Paalen, “Portrait of Joaneta Obrador” by Joan Miró, “Casaguba” by Ben Nicholson, “New York” by Hedda Sterne, and “Woman on a Forest Path” by Ben Enwonwu.