




Mary Cassatt: After Impressionism at the Art Institute of Chicago.





Mary Cassatt: After Impressionism at the Art Institute of Chicago.

Three of these were inspired by this piece, heard while driving to Michigan last week.







We arrived in time to take advantage of member hour, entering before the rains began. My photos show “Public Park” by Ker-Xavier Roussel, “Mother and Child” by Julius Gabri Melchers, “Untitled (Fumage)” by Wolfgang Paalen, “Portrait of Joaneta Obrador” by Joan Miró, “Casaguba” by Ben Nicholson, “New York” by Hedda Sterne, and “Woman on a Forest Path” by Ben Enwonwu.




At the Obama Presidential Center earlier this week.

These have already been shelved because I will continue rereading Ulysses into August, and I’m also working on The Wind-Up Bird Chronicle and some Wendell Berry (poetry, essays, and Remembering) for Roundtable courses.

A reading friend sent me the Brooks and the Quashie; an article in The Atlantic led me to the Rosenberg biography; and because I owned only a tattered mass paperback of Frank’s diary, I picked up the definitive edition. (If you’re considering Anne Frank: The Exhibition, I would say, Go. It’s moving and important if a bit basic.) Late last week we visited the Kenosha Public Museum for fossils and the watercolor exhibition. (I cast my “people’s choice” vote for “A World of Design” by Thomas Schaller. See below.) On the way home, we stopped at a delightful independent bookstore, where I picked up The Stone Catchers.




At the Anderson Japanese Gardens.