Art and literature

My image of “Adam and Eve” (1528) by Lucas Cranach the Elder.
Recently seen (again) at Detroit Institute of Arts.

Through courses at UChicago and Roundtable I have finally read Paradise Lost. From Book IV:

Two of far nobler shape, erect and tall,
God—like erect, with native honour clad
In naked majesty, seemed lords of all,
And worthy seemed; for in their looks divine
The image of their glorious Maker shon,
Truth, wisdom, sanctitude severe and pure—
Severe, but in true filial freedom placed,
Whence true authority in men: though both
Not equal, as their sex not equal seemed;
For contemplation he and valour formed,
For softness she and sweet attractive grace;
He for God only, she for God in him.

My image of “The Fire Next Time” (1968) by Vincent Smith.
Also recently seen (again) at Detroit Institute of Arts.

Inspired by President Obama’s “A Great Book” podcast I have also finally read James Baldwin’s The Fire Next Time.

:: It is so simple a fact and one that is so hard, apparently, to grasp: Whoever debases others is debasing himself. That is not a mythical statement but a most realistic one…. (page 83)

:: Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have. It seems to me that one ought to rejoice in the fact of death — ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible to life: It is the small beacon in that terrifying darkness from which we come and to which we shall return. One must negotiate this passage as nobly as possible, for the sake of those were coming after us. (page 91)

At the Art Institute again

We arrived in time to take advantage of member hour, entering before the rains began. My photos show “Public Park” by Ker-Xavier Roussel, “Mother and Child” by Julius Gabri Melchers, “Untitled (Fumage)” by Wolfgang Paalen, “Portrait of Joaneta Obrador” by Joan Miró, “Casaguba” by Ben Nicholson, “New York” by Hedda Sterne, and “Woman on a Forest Path” by Ben Enwonwu.

New books

A reading friend sent me the Brooks and the Quashie; an article in The Atlantic led me to the Rosenberg biography; and because I owned only a tattered mass paperback of Frank’s diary, I picked up the definitive edition. (If you’re considering Anne Frank: The Exhibition, I would say, Go. It’s moving and important if a bit basic.) Late last week we visited the Kenosha Public Museum for fossils and the watercolor exhibition. (I cast my “people’s choice” vote for “A World of Design” by Thomas Schaller. See below.) On the way home, we stopped at a delightful independent bookstore, where I picked up The Stone Catchers.

Field trips

On Tuesday, we visited the Lizzadro Museum of Lapidary Art, which I first heard about on WBEZ. The scrimshaw of Richard Kovanda caught my attention at the end of our visit. (Yes, I’m reading Moby-Dick for the third time this year, this time with Roundtable.)

This is the time of year when my flute is at the shop for its annual COA, and I’ve taken to using the shipping and repair time (approximately ten days) as a break of sorts; hence, a recent flurry of field trips. In addition to the Lizzadro, I’ve been to the Art Institute to see the Willem de Kooning exhibit, into Wilmette to see the Shakespeare Project of Chicago in Antony and Cleopatra, back into Chicago for the spectacular TUTA Theater production of Crime and Punishment, and to the Milwaukee Art Museum to see the exhibition of German Romantic artists.