Genuine interest in art

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Detail of Leonardo Drew’s “Number 185” (2016).

Earlier this month, we visited the Smart Museum of Art before seeing Photograph 51 at the Court. From a distance, the piece pictured above looked to me as if it had been blackened in a fire.

Other notes: Once I finished Parks and Recreation, I moved on to The Good Place and now must wait until fall for new episodes. Related: We had breakfast-for-lunch at the Ron Swanson-inspired Whisk last weekend. It was so awesome that it has effectively ruined our local breakfast nooks for us. And speaking of ruining things for us, William Hootkins ((Moby Dick) and Nick Offerman (Lincoln in the Bardo) set the bar for audiobook narration so high that nearly every other narrator is a disappointment. (And, yes, we loved learning that Offerman is an Illini, too.)

To bring this post home, Ron Swanson on art:

Okay, everyone! SHUT UP and LOOK AT ME! Welcome to Visions of Nature. This room has several paintings in it. Some are big; some are small. People did them, and they are here now. I believe that after this is over, they’ll be hung in government buildings. Why the government is involved in an art show is beyond me. I also think it’s pointless for a human to paint scenes of nature when they can just go outside and stand in it. Anyway, please do not misinterpret the fact that I am talking right now as genuine interest in art and attempt to discuss it with me further. End of speech.

Adventuring

As always, all of the images in this post are my own.

After a Chicago Shakespeare Theater (CST) Scholar Luncheon last week, my daughters and I visited the Art Institute to see “Saints and Heroes: Art of Medieval and Renaissance Europe.” While there, we also took in “Whistler’s Mother: An American Icon Returns to Chicago.” Truth? I prefer the artist’s self-portrait; it reminds me of one of my favorite writers.

Doesn’t Whistler look a bit like Vonnegut in this painting?

Before leaving the museum, we stopped by to see a painting that never fails to startle me.

Charles Sheeler’s The Artist Looks at Nature (1945).

Over the weekend, we visited the Milwaukee County Zoo. When I downloaded the pics of the only animal I photographed, I was struck by the odd, painterly texture the zoom had created.

Tawny frogmouths at the Milwaukee County Zoo.

Later in the weekend, we visited the Judy Istock Butterfly Haven at Peggy Notebaert Nature Museum before seeing Shakespeare in Love at the CST. (Reviews here and here.)
Between and among adventures, we had time to catch up on Colony (and discuss the apparent Lost parallels, including Snyder = Ben and “Not everything is as it may seem”), finish a few books (Shylock Is My Name is well worth the effort), and plan a few more excursions — although not for over the holiday. By design, our three-day respite will not take us further from home than half the distance of our longest bike ride.

What have you planned for the long weekend?

Smart Museum of Art

Arthur Dove. Harbor in Light. 1929.

Max Dungert. Landscape. Circa 1920.

Norman Lewis. Untitled. 1947.

Chinese, Shang Dynasty. Ritual Tripod Cooking Vessel. Circa 1300-1200 B.C.E.

Chinese, Northern Song Dynasty. Guardian Figures. 1056-63.

R: Japanese, Kofun Period. Haniwa: Warrior Head. Circa 5th century.
L: Isamu Noguchi. Iron Wash. 1956.

Pierre-Henri de Valenciennes. Cloud Study. 1817.

Giovanni Castrucci. Wooded Landscape with Crenellated Wall. Circa 1600-07.

I took the above images this afternoon at the Smart Museum of Art. My husband and I were able to visit before seeing Tom Stoppard’s The Hard Problem at the Court Theatre. (Yeah, it was pretty much a perfect day.)