I took the above images during a recent visit to Krannert Art Museum. The first two capture detail from Lorado Taft’s “The Blind” (1908). The next two images feature items in the permanent collection “Arts of Ancient Peru.” The grave post is dated circa 1000 – 1470 and the female effigy figure, circa 1100 – 1470. Charles Turzak’s “Oak Street Beach” (1933-1934) and Hugh Pearce Botts’ “Nana” appear in a temporary exhibition “Enough to Live On: Art of the WPA.”
The above are images I took during our recent visit to the Adler Planetarium. What I love about the last one is that I can see my daughters through the display.
After the museum, we saw A Disappearing Number at the TimeLine Theatre. Yes, a play about math. What did you expect? My site is called “Nerdishly.” My youngest recently secured a spot with a high energy physics research group that is working on the ATLAS experiment, so insert a muted nerdgirl “Squeeeeee!” when Anish Jethmalani’s character, Aninda, announced that he was a physicist lecturing at CERN. The script is not a seamless one, but this production is so fabulous that one forgives the weaknesses in the text. Highly recommended.
The Peggy Notebaert Nature Museum attracts young children and weary caregivers — and us. The Butterfly Haven alone is worth the cost of admission, but we also love visiting the Beecher Collections Laboratory and related exhibits, and I adore the “Heritage of the Chicago Academy of Sciences” room. Although smaller, “Frogs: A Chorus of Color” actually gives the Shedd’s “Amphibians” a run for its money. (Note that “Frogs” closes on January 22.)
Afternoons end before they have really begun now, don’t they? By 3 p.m., I must turn on a light here and another there. Abbreviated days possess a sort of magic, especially when the snow finally arrives. But by early January, I suspect that, as in years past, the long nights will begin to weary me, and I will sniff the air for the scent of warm, clean dirt. Spring.
I took the image above during a recent trip to the Museum of Science and Industry. The adventure was equal parts sentiment and foolhardiness. After all, who goes to MSI on the day before Thanksgiving? Everyone, as it turns out. And the trip into the city took twice as long as it should have. Still, we had a lovely time and plan to return for a proper visit (i.e., one that coincides with everyone else returning to work and school) over our long winter break.
After MSI and dinner, we browsed the wondrous stacks at the Seminary Coop Bookstores and then attended Electra at the Court Theatre. The Court’s Greek Cycle has met with somewhat mixed reviews, but we have appreciated all of it — particularly Sandra Marquez’s majestic Clytemnestra (all three plays) and Kate Fry’s Electra.
Apart from getting the band back together, the trip into Chicago for MSI and Electra was the highlight of our recent ten-day break. Our daughters, now juniors, use the Thanksgiving holiday to get ahead on final projects and examinations, so when they came up for air, we kept it pretty simple. We (re)watched some Sherlock (in anticipation of Season 4) and walked. We raked leaves and counted birds at the feeders. We ate good food and talked. They had appointments for haircuts and annual physicals. Otherwise, they were absorbed by their studies. Soon they will be home again, though, with no projects or exams looming large. We have assembled a much more ambitious itinerary for our winter break, then, including four plays, four museums, the postponed zoo trip, and some eagle-watching.
In early December, while they finish up their fall courses and enter their reading and examination period, I will work through some holiday music and Unit 4 in Rubank Advanced Method, Vol. 1. I have been studying flute for just over two years now and will (again) acknowledge that while I have made tremendous strides, some skills may be beyond me, including velocity. Young learners have a decided advantage when it comes to manual dexterity and speed, to be sure, but the pursuit remains worthwhile and stimulating. Other pursuits for these next two weeks include reading, of course; Project FeederWatch, which now offers an option to report behavioral data (displacement and predation); and my volunteer work at the library, which I don’t think I have mentioned previously. My husband and I gave several hours each week a few summers ago but stepped away from the commitment to focus on our literacy volunteer assignment. I returned to the library in September and am enjoying the people and projects.
Until my next post, here are three more images from our MSI visit, which included a stop at the “Brick by Brick” exhibit.
The above images were taken at the Illinois Railway Museum on what may have been the last cool, breezy day in Summer 2016.
The following images were taken during the Member Preview of the Art Institute’s “America after the Fall: Painting in the 1930s,” which runs through September 18.
■ O. Louis Guglielmi’s “Phoenix (Portrait in the Desert: Lenin)” (1935)
■ Grant Wood’s “Death on Ridge Road” (1935)
■ O. Louis Guglielmi’s “Mental Geography” (1938)