“John Singer Sargent and Chicago’s Gilded Age” drew me to the Art Institute this week, and it’s a beautiful exhibition. But it was “Flesh: Ivan Albright at the Art Institute of Chicago” that captured my imagination. I will post more images from my visit later; the above are my photos of two of the Albright self-portraits.
“Coveting Nature explores the ways in which botanists and entomologists worked in tandem with artists to record and disseminate knowledge in the early modern period (1500–1800).” This Krannert Art Museum exhibit runs through December 22.
Between and among adventures, we had time to catch up on Colony (and discuss the apparent Lost parallels, including Snyder = Ben and “Not everything is as it may seem”), finish a few books (Shylock Is My Name is well worth the effort), and plan a few more excursions — although not for over the holiday. By design, our three-day respite will not take us further from home than half the distance of our longest bike ride.
What have you planned for the long weekend?
I took the above images during a recent visit to Krannert Art Museum. The first two capture detail from Lorado Taft’s “The Blind” (1908). The next two images feature items in the permanent collection “Arts of Ancient Peru.” The grave post is dated circa 1000 – 1470 and the female effigy figure, circa 1100 – 1470. Charles Turzak’s “Oak Street Beach” (1933-1934) and Hugh Pearce Botts’ “Nana” appear in a temporary exhibition “Enough to Live On: Art of the WPA.”