Art in Bloom

On Thursday, we attended Art in Bloom at the Milwaukee Art Museum. If you read me regularly, you probably know how much I admire Anselm Kiefer’s painting, “Midgard.” The arrangement inspired by that painting easily secured my “people’s choice” vote.

Appointments to keep in the past

It seems to me then as if all of the moments of our life occupy the same space, as if future events already existed and were only waiting for us to find our way to them at last, just as when we have accepted an invitation we duly arrive in a certain house at a given time. And might it not be, continued Austerlitz, that we also have appointments to keep in the past, in what has gone before and is for the most part extinguished, and must go there in search of places and people who have some connection with us on the far side of time, so to speak?

For the Newberry course, “Under the Sign of Saturn: The Enigmatic Work of W.G. Sebald,” I’ve read The Emigrants, The Rings of Saturn, and Austerlitz, as well as Carole Angier’s biography of Sebald. (The Readers Karamazov hosted a terrific episode on The Rings of Saturn.) Next up is After Nature.

 

Catching up

Recent acquisitions.

My commitment to annotating my reading list has waned primarily because enough note-taking, peripheral reading and studying, and discussion occurs in the assorted groups in which I am participating that I feel as if I’ve said what I need to say. Of course, I haven’t said it here, but music practice (1), band rehearsal (2), planning raised beds for pollinators, backyard birding (3), plus studying and reading have all conspired to keep me off the computer (except when I’m in Zoom meetings). We’ll see if I can remedy that.

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(1) My current solo piece is (still) Howard Ferguson’s Three Sketches for Flute and Piano. I’m also working on No. 15 of 18 Studies for Flute by Joachim Anderson, Op. 41, in Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 1, and Sonata No. V (Handel) in Selected Duets for Flute, Volume II (Advanced), as well as scales, rhythmical articulation, and music for the spring concert.

(2) Yes, we joined a band of adult amateurs, who range from late beginner to early-advanced. During the 1.25-hour commute there and back, we’ve been listening to The Great Courses (TGC) on Dante’s Divine Comedy, which I’m reading for 100 Days of Dante. We’ve also been sampling TGC lectures on the bible. Neither of us has read it, cover to cover, so to address this educational gap, we’re using a reading schedule we found online, (usually) doubling the daily commitment, so that we finish this summer.

(3) For the last week or so, we’ve had a tiny flock of Common Redpolls at our feeders, a first in the eleven years at the forever home. This article shed some light on what may be going on. (Is it too much to ask that some of the sandhill cranes we’ve espied in the neighborhood stopped in our yards?)