When my younger daughter and I embarked on our plan to (re)read The Odyssey before she returns to campus later this month, we agreed to tackle five or six of the epic’s books per week. We soon became so engrossed, however, that we finished weeks ahead of our schedule. We read the much-admired Fagles translation, and it was fine. An ardent Stephen Mitchell fan, I would have preferred his translation, but it is, inexplicably, unavailable in audiobook. I read the Fagles translation to the accompaniment of none other than Sir Ian McKellen, yet I pined for Alfred Molina reading Mitchell.
Here are my commonplace book entries:
I’m just a mortal man.
Whom do you know most saddled down with sorrow?
They are the ones I’d equal, grief for grief.
And I could tell a tale of still more hardship,
all I’ve suffered, thanks to the gods’ will.
But despite my misery, let me finish dinner.
The belly’s a shameless dog, there’s nothing worse.
Always insisting, pressing, it never lets us forget —
destroyed as I am, my heart racked with sadness,
sick with anguish, still it keeps demanding,
‘Eat, drink!’ It blots out all the memory
of my pain, commanding, ‘Fill me up!’
With a dark glance
wily Odysseus shot back, “Indecent talk, my friend.
You, you’re a reckless fool – I see that. So,
the gods don’t hand out all their gifts at once,
not build and brains and flowing speech to all….”
[N]otorious for his belly, a ravenous, bottomless pit
for food and drink….
So surrender to sleep at last. What a misery,
keeping watch through the night, wide awake –
you’ll soon come up from under all your troubles.
It’s wildly optimistic of us, but now we are hoping to read The Scarlet Letter (Nathaniel Hawthorne) before she leaves. Also filed under “W” (for “Wildly Optimistic”) is the copy of Persuasion in the haphazard stack pictured above. Last month, when a flurry of news items appeared about the Jane Austen bicentenary, I determined that it would be the Austen novel I would most enjoy revisiting.
Today begins Week 8 in my quest to read War and Peace in seventeen weeks (or less), but the book continues to engage, and I have already finished the reading for both this week and next. Here are commonplace book entries for Weeks 6 through 9:
Book Two, Part Three, Chapter 7
At that meeting he was struck for the first time by the endless variety of men’s minds, which prevents a truth from ever presenting itself identically to two persons.
Book Two, Part Five, Chapter 1
It was too dreadful to be under the burden of these insoluble problems, so he abandoned himself to any distraction in order to forget them. He frequented every kind of society, drank much, bought pictures, engaged in building, and above all – read.
He read, and read everything that came to hand. On coming home, while his valets were still taking off his things, he picked up a book and began to read.
Book Two, Part Five, Chapter 9
She could not follow the opera nor even listen to the music, she saw only the painted cardboard and the queerly dressed men and women who moved, spoke, and sang so strangely in that brilliant light. She knew what it was all meant to represent, but it was so pretentiously false and unnatural that she first felt ashamed for the actors and then amused at them. She looked at the faces of the audience, seeking in them the same sense of ridicule and perplexity she herself experienced, but they all seemed attentive to what was happening on the stage, and expressed delight which to Natasha seemed feigned. ‘I suppose it has to be like this!’ she thought.
Book Three, Part One, Chapter 1
There are two sides to the life of every man, his individual life which is the more free the more abstract its interests, and his elemental swarm-life in which he inevitably obeys laws laid down for him.
I have made some progress in the “Shakespeare in a Year” project, too. Last weekend, I reread As You Like It and Twelfth Night. How fascinating to encounter Rosalind and Viola again, one right after the other.
From Act II, Scene 7, of As You Like It:
Thou seest we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in.
Yesterday, I finished Troilus and Cressida, which, like Titus Andronicus, was new to me. Unlike Titus, though, Troilus was a chore to read. An uneven, clunky play, it provided little readerly joy beyond the unanticipated tie-in to the discussions we’ve been having about The Iliad and The Odyssey.
I have not yet decided when and where to squeeze Sir Thomas More into my schedule, nor have I decided what to do about Hamlet, a play I’ve read and seen more (many more) than a few times. Earlier in the project, I chose Howard Jacobson’s Shylock Is My Name over rereading The Merchant of Venice, and I am considering a similar substitution for Hamlet. The novel Hamlet, Prince of Denmark (A. J. Hartley and David Hewson) is the chief contender, although… I wonder if I could count Withnail and I (Bruce Robinson). Hmmm….
Other bookish bits: I discussed our Moby Dick reread here. Perhaps if I begin posting my commonplace book entries, those of you who have maintained a “No way!” stance on the the White Whale may be persuaded to try it. The Broken Ladder is my follow-up to Dream Hoarders (related entry here), and the other books are either recently acquired or awaiting reshelving.