Once upon a time ago, I would cobble together a monthly (or so) review of books I’d been reading with notes, quotes, and / or links. I thought I’d do that today to get back into the posting groove. So far, I’ve read twenty-three books this year, fifteen of which are from my shelves and eleven of which are non-fiction titles. I’m off to a promising start, eh?
■ The Mousetrap (Agatha Christie; 1952. Drama.) RFS
Read in advance of seeing the Court Theatre production.
■ Trust Exercise (Susan Choi; 2019. Fiction.) RFS
Interesting review here.
■ Rutherford and Sons (Githa Sowerby; 1912. Drama.) RFS
Read before seeing the TimeLine Theatre production.
■ Richard III (William Shakespeare; 1592. Drama.) RFS
Reread before seeing the Shakespeare Project of Chicago production.
■ In the Heart of the Sea (Nathan Philbrick; 2000. Non-fiction.) RFS
In a weird twist, I watched the movie before reading this terrific book. My interest was, of course, fueled by my Moby-Dick reread late last year.
■ Dear America (Jose Antonio Vargas; 2018. Non-fiction.) RFS
Related link here.
■ A Long Way Gone (Ishmael Beah; 2007. Non-fiction.) RFS
Arrived at this book a bit later than most. Here’s a related link.
■ Frogcatchers (Jeff Lemire; 2018. Graphic fiction.) LIB
Another of Lemire’s meditations on death, regret, and letting go.
■ On Tyranny (Timothy Snyder; 2017. Non-fiction.) RFS
Again, arrived at this later than most. I began marking passages for the commonplace book and soon realized I’d copy the entire text. Review here.
■ Tomten Tales (Astrid Lindgren; 2017 ed. (1960 and 1966). Juvenile fiction.) LIB
Small gnome ornaments topped the holiday gift bags I distributed this year. In a lovely note, my music teacher thanked me for, among other things, “the adorable tomten.” In pursuit of a definition, I stumbled on this delightful children’s book.
■ An Astronaut’s Guide to Life on Earth (Chris Hadfield; 2013. Non-fiction.) RFS
My younger daughter (insistently) recommended this.
If you start thinking that only your biggest and shiniest moments count, you’re setting yourself up to feel like a failure most of the time. Personally, I’d rather feel good most of the time, so to me everything counts: the small moments, the medium ones, the successes that make the papers and also the ones that no one knows about but me. The challenge is avoiding being derailed by the big, shiny moments that turn other people’s heads. You have to figure out for yourself how to enjoy and celebrate them, and then move on.
■ Between the World and Me (Ta-Nehisi Coates; 2015. Non-fiction.) RFS
Poetry aims for an economy of truth — loose and useless words must be discarded, and I found that these loose and useless words were not separate from loose and useless thoughts. Poetry was not simply the transcription of notions — beautiful writing rarely is. I wanted to learn to write, which was ultimately, still, as my mother had taught me, a confrontation with my own innocence, my own rationalizations. Poetry was the processing of my thoughts until the slag of justification fell away and I was left with the cold steel truths of life.
■ Keep It Moving (Twyla Tharp; 2019. Non-fiction.) LIB
■ The Passengers (John Marrs; 2019. Fiction.) ATY
Flawed and a bit predictable but an altogether entertaining way to pass a Sunday evening.
■ Digital Minimalism (Cal Newport; 2019. Non-fiction.) RFS
This book is partially responsible for the gap in entries here.
■ We Should All Be Feminists (Chimamanda Ngozi Adichie; 2014. Non-fiction.) LIB
Today, we live in a vastly different world. The person more qualified to lead is not the physically stronger person. It is the more intelligent, the more knowledgeable, the more creative, more innovative. And there are no hormones for those attributes. A man is as likely as a woman to be intelligent, innovative, creative. We have evolved. But our ideas of gender have not evolved very much.
■ Daughter of Time (Josephine Tey; 1951. Fiction.) RFS
I reread this after rereading Richard III.
It was shocking how little history remained with one after a good education.
“No, that doesn’t matter at all. Most people’s first books are their best anyway; it’s the one they wanted most to write….”
■ Blood Dazzler (Patricia Smith; 2009. Poetry.) LIB
■ Invisible Women: Data Bias in a World Designed for Men (Carolyn Criado Perez; 2019. Non-fiction.) RFS
Wow. Wow. Wow. This will certainly top my list of memorable reads this year. Related link here.
■ The Whisper Man (Alex North; 2019. Fiction.) ATY
■ The Warehouse (Rob Hart; 2019. Fiction.) LIB
Although I’m weary of the narrative device of alternating voices, it worked in this near-future dystopian novel.
■ Emma (Jane Austen; 1815. Fiction.) RFS
Austen’s prose sparkles; her wit pierces. But I wonder if I am too old to appreciate Emma. I reread the novel before seeing the new Chicago Shakespeare musical.
ATY Acquired this year
LIB Borrowed from library
RFS Read from shelves