


This morning at a conservation district.

Sculpture at Allerton Park.
This week’s practice sheet:
🎶 In Maquarre’s Daily Exercises for the Flute, pages 4 through 8.
🎶 In Album of Flute Duets, revised and annotated by Louis Moyse, Jean-Jacques Naudot’s Sonata for Two Flutes, the fourth and final movement, another allegro.
🎶 In Interval Duets by Thomas Filas, the third duet. I am playing the second flute part this time through these deceptively simple pieces.
🎶 In Ernesto Köhler’s Twenty-Five Romantic Etudes (Op. 66), “Dolls’ Waltz.”
🎶 Revisiting the Adagio and Allegro from Jean-Baptiste Loeillet’s Sonata No. III in Selected Duets for Flute, Vol. II (Advanced). Again, I am playing the second part.
🎶 In P. Bona’s Complete Method for Rhythmical Articulation, 120.
🎶 In Contemporary French Recital Pieces, Vol. I, Louis Aubert’s “Lied.”
Because we don’t have band rehearsal next week, I am setting aside my concert folder until after my next lesson.

Two gifts and two purchases.
It was already eighty when I was ready to head out this morning, and heat index values of between 110 and 115 are expected in my area, so, yes, I bailed on the workout and used the time for paperwork and tasks decidedly more fun than walking in the unforgiving sun (e.g., shelving new books).
Speaking of the sun, in the sixties and seventies, I was a Coppertone kid raised on the Jersey Shore. Consider this a random but important public service announcement from someone who knows: Get your skin checked annually. If the dermatologist recommends that spots be biopsied and/or treated, have them biopsied and/or treated. Early identification of potential problems leads to better outcomes. Finally, wear sunscreen and a hat. No, really. Do it.



How, in all of these years, had we not visited the Driehaus Museum?

It has been cooler this month than I’ve come to expect from August, and apart from a spike tomorrow, the forecast shows daytime highs in the upper seventies — bliss. This morning, we walked in a steady shower; while this is not a problem for us, it was certainly kind of one of our neighbors to leap from his porch to offer us an umbrella. I have been thinking of his thoughtfulness all day.
It occurs to me that I haven’t recapped my reading in more than a month. Since my last annotated list, I’ve read King John, The Merchant of Venice, Richard II, Henry IV, Part I, and the related essays in Garber’s Shakespeare After All for my third iteration of Shakespeare in a Year. For my Willa Cather project, I read The Professor’s House (1925; July’s selection) and My Mortal Enemy (1926; August’s) — both remarkable, much better than reviews would have anyone believe. I also appreciated Benjamin Taylor’s brief biography, Chasing Bright Medusas: A Life of Willa Cather (2024).
After reading My Hijacking: A Personal History of Forgetting and Remembering (Martha Hodes; 2023), I reread The Little Prince (Antoine de Saint-Exupéry; 1943), which Hodes references throughout her memoir about trauma and memory.
If a lack of age / experience explains why I had previously avoided Henry James, then color me grateful to have “grown up”: I read Washington Square (1880) with a discussion group late last month and now look forward to more James. The group host mentioned that James’ work is discussed in Reading Lolita in Tehran (Azar Nafisi; 2003), so I plucked that memoir from the shelves (where it had patiently waited for twenty years) and finished in a few sittings.
In anticipation of this, I read Inherit the Wind (Jerome Lawrence and Robert E.Lee; 1955) and for a discussion with a reading friend, The Story of the Lost Child (Elena Ferrante; 2014).
Want (Lynn Steger Strong; 2020), Long Bright River (Liz Moore; 2020), and Orbital (Samantha Harvey; 2023) are more recently published works I finished since my last recap. If I were to choose only one to recommend, it would be Harvey’s exquisite prose-poem of a novel.
The #faulknerinaugust group chose As I Lay Dying (1930) this year, and while I did not participate in the online discussion, I did appreciate the “reminder” to read more Faulkner. Apart from short fiction, this novel, and last year’s selection (Absalom! Absalom! 1936) represent my experience with this author, who may well be another that required whatever my older self brings to the reading table. As I wrote to another reading friend, Dying was painfully beautiful and bleak.
Right now, I’m reading The Invention of Nature: Alexander Von Humboldt’s New World (Andrea Wulf; 2015) with the SciFri Book Club and this year’s Briefly Very Beautiful (Roz Dineen) because I’m a sucker for well-reviewed dystopian fiction.
As I finish typing this, the outdoor thermometer reads sixty-nine. It is gently raining, and it’s so overcast that we’ve turned on lights throughout the house. Fall-ish. For me, the “new year” generally follows an academic calendar, beginning unofficially when the slant and color of the light change in early August, and officially when fall lessons / activities / schedules / etc. resume. This year, that was this past Tuesday, when I returned to my weekly music lessons. Band rehearsals resume next week; our Halloween and late fall concerts are already on the calendar. Heck, the HVAC tech will perform the annual clean-and-check on the furnace next week. Happy new year.