The year in books

img_9296In 2016, I completed 123 books. Of course, this unrepentantly promiscuous reader could easily add another 250-plus titles of books left in various stages of “undress,” but only cover-to-covers appear on my annual list. Although I completed 16 fewer books this year, I read the same number of fiction titles (excluding graphic works) as last year: 57. Of the remaining 66 books, 15 were plays; 18 were non-fiction books; and 33 were graphic fiction.

Here are a few more numbers:

Number of plays read that were attributed to Shakespeare: 10 (of which 5 were rereads)
Total number of rereads: 13
Number of books read in 2016 that were published in 2016: 46 (of which 16 were novels)

Best fiction read in 2016:
A Good School (Richard Yates; 1978. Fiction.)
The Mandibles: A Family, 2029-2047 (Lionel Shriver; 2016. Fiction.)
The Elementals (Michael McDowell; 1981. Fiction.)
The Shawl (Cynthia Ozick; 1990. Fiction.)
My Name Is Lucy Barton (Elizabeth Strout; 2016. Fiction.)

Honorable mention:
The Last Policeman (Ben Winters; 2013. Fiction.)
The Nest (Cynthia D’Aprix Sweeney; 2016. Fiction.)
The Girls (Emma Cline; 2016. Fiction.)

Best plays read in 2016:
Arcadia (Tom Stoppard; 1993. Drama.)
The Life of Galileo (Bertolt Brecht; 1940. (Trans. John Willett; 1994.) Drama.)

Most compelling non-fiction read in 2016:
One of Us: The Story of a Massacre in Norway — and Its Aftermath (Åsne Seierstad; 2015. Non-fiction.)
Life Reimagined: The Science, Art, and Opportunity of Midlife (Barbara Bradley Hagerty; 2016. Non-fiction.)
Neighbors (Jan T. Gross; 2001. Non-fiction.)

Honorable mention:
A Mother’s Reckoning: Living in the Aftermath of Tragedy (Sue Klebold; 2016. Non-fiction.)
Missoula: Rape and the Justice System in a College Town (Jon Krakauer; 2015. Non-fiction.)

Best graphic fiction read in 2016:
Fell, Volume 1, Feral City (Warren Ellis; 2007. Graphic fiction.)
The Silence of Our Friends (Mark Long; 2012. Graphic fiction.)

Best reread:
Heart of Darkness (Joseph Conrad; 1899. Fiction.)

Honorable mention:
The Sparrow (Mary Doria Russell; 1996. Fiction.)

Random remarks:
● Repeating this bit from one of my summer book posts: A Good School was, quite possibly, the best book I’ve read this year — which may have been the same thing I said about Richard Yates’ Revolutionary Road eight years ago. In “The Lost World of Richard Yates” (Boston Review, October/November 1999), Stewart O’Nan wrote:

Once the most vaunted of authors–praised by Styron and Vonnegut and Robert Stone as the voice of a generation–he seems now to belong to that august yet sad category, the writer’s writer. Andre Dubus, who was his student at Iowa, revered him, as does Tobias Wolff, and the jackets of Yates’s books are adorned with quotes by the likes of Tennessee Williams and Dorothy Parker, Ann Beattie and Gina Berriault. When authors talk his name pops up as the American writer we wish more people would read, just as Cormac McCarthy’s used to. In the acknowledgments section of his novellas, Women With Men, Richard Ford makes it plain: “I wish to record my debt of gratitude to the stories and novels of Richard Yates, a writer too little appreciated.”

With his insightful and ranging appreciation, O’Nan — also a writer too little appreciated (if you are not familiar with his work, begin with A Prayer for the Dying and Last Night at the Lobster) — all but ensured that Yates would be revisited: Many of Yates’ books are, of course, back in print, and his “painful and sad” first novel received big-screen treatment in 2008. In fact, I finally saw the film over the summer, which led to the mentally intoned assertion, “The book was better,” and to the shelves, where several Yates titles awaited me. By the way, fans of John Williams’ Stoner will also appreciate A Good School.

The Elementals deserves a much wider audience.

● My birthday wish is Fell, Volume 2.

● In this “Year of the House Sparrow,” I cannot imagine how I managed not to read Chris Chester’s Providence of a Sparrow: Lessons from a Life Gone to the Birds, which languished on my TBR pile all. year. long. (That’s not the worst of the indignity heaped upon it: I purchased the book — Shhhh! — nearly nine years ago.)

● Books like the brilliantly reported One of Us: The Story of a Massacre in Norway — and Its Aftermath (Åsne Seierstad, 2015) and the upliftingly informative Life Reimagined: The Science, Art, and Opportunity of Midlife (Barbara Bradley Hagerty, 2016) are the reason I read. I must read more non-fiction this coming year. It’s that simple.

● Speaking of Life Reimagined: The Science, Art, and Opportunity of Midlife, here are a few passages I have pressed into my commonplace book:

p. 219
You may be thinking, Who in midlife has the time for this? To which I say: Maybe you don’t now, but you will probably at some point. And how will you spend it? Frittering away the time? Or in full-throated pursuit of a passion? Even if you have full-time work and children at home, as many people in midlife do, you can still take small steps to punctuate the days and weeks with a hobby that gives you a little zing every time you think of it.

p. 235
Middle age makes no exclusive claim to stress, trauma, and the need for resilience. People break bones, lose their jobs, develop cancer at all points in their lives. But it seems that for many of us, troubles start to cluster in midlife: You are more likely to lose a parent or spouse after forty, more likely to be diagnosed with cancer after forty-five, and much more likely to be replaced by a younger, cheaper, more tech-savvy employee after fifty. I never gave much thought to rebounding from setbacks in my twenties and thirties because life was ascendant and setbacks were rare. Now I feel as if I spend half my time trying to plug leaks in the dam. Happily, the research indicates, I may be better equipped because I have lived for five and half decades.

The year in theater

The best of our 2016 theater adventures featured Kate Fry: Marjorie Prime, Arcadia, and Electra. She is a mesmerizing talent, both fierce and vulnerable, and our family proudly comprises the executive board of her unofficial fan club. Other 2016 highlights included the Court Theatre’s staging of Long Day’s Journey into Night; the Chicago Shakespeare Theater’s two-part bardathon, Tug of War; Jonathan Pryce in The Merchant of Venice; and The Gift Theatre’s production of Richard III.

A Q Brothers’ Christmas Carol (January; Chicago Shakespeare Theater)
The Heir Apparent (January; Chicago Shakespeare Theater)
Marjorie Prime (January; Writers Theatre)
The Winter’s Tale (January; Shakespeare Project of Chicago)
Cymbeline (February; Shakespeare Project of Chicago)
Romeo and Juliet (March; Lyric Opera)
Arcadia (March; Writers Theatre)
Long Day’s Journey into Night (March; Court Theatre)
Othello (March; Chicago Shakespeare Theater)
The Life of Galileo (April; Remy Bumppo Theatre Company)
Cardenio (April; Shakespeare Project of Chicago)
Richard III (April; The Gift Theatre at The Garage: Steppenwolf Theatre)
Othello: The Remix (April; Chicago Shakespeare Theater)
Tug of War: Foreign Fire (June; Chicago Shakespeare Theater)
The Merchant of Venice (August; Shakespeare’s Globe at the Chicago Shakespeare Theater)
Julius Caesar (September; Writers Theatre)
Tug of War: Civil Strife (October; Chicago Shakespeare Theater)
Henry V (October; Shakespeare Project of Chicago)
Electra (November; Court Theatre)
The Winter’s Tale (December; Chicago Shakespeare Theater)
King Charles III (December; Chicago Shakespeare Theater)

Happy jólabókaflóð!

On jólabókaflóð, I feel sorrier for my TBR stacks than usual. Inevitably, a few books end up being ditched for the newcomers.

On jólabókaflóð, I feel sorrier for my TBR stacks than usual.
Inevitably, a few books end up being ditched for the newcomers.

For more than thirty years, well before we knew its name, my husband and I — and later, our children — have celebrated “Christmas book flood” on December 24. One of our favorite days of the year, we celebrate with a long walk in the woods, a feast, and, when night falls, an exchange of gifts, especially books.

Another of our winter traditions is to spend Thanksgiving and / or Christmas at the Brookfield or Milwaukee County zoo. For the last few Thanksgivings, our daughters’ studies have put the kibosh on the trip, but we’ve been consistent about visiting on or near Christmas, and on Friday, we had the Milwaukee County Zoo to ourselves. Tree kangaroos, fennec foxes, and tiger cubs! Oh, my!

Wishing you and yours a wonderful winter holiday!

Serendipity. Synchronicity. Synthesis.

My photo of Grant Wood’s “January” (1938).

Grant Wood’s work has always put me in mind of a Sinclair Lewis novel. At some point, I learned that this is not an arbitrary connection:

In 1937, Grant Wood was asked to illustrate a novel that, like his painting American Gothic, had already become a classic: Sinclair Lewis’s Main Street. Published nearly twenty years earlier in 1920, Lewis’s novel had come to represent the Midwest just as Wood’s paintings symbolized that region during the 1930s. Today Sinclair Lewis and Grant Wood still endure as cultural figures who captured something distinctive yet elusive about the Heartland; yet Lewis and Wood looked at the American Midwest through different eyes. Lewis saw provincialism and narrowness, while Wood gloried in the solid, earthy strength of his fellow midwesterners and their land. Both men felt conflicted about their homes, and these dichotomies filtered into their work.

At the Art Institute’s “Master Drawings Unveiled: 25 Years of Major Acquisitions,” Wood’s “January” reminded me anew that serendipity-synchronicity-synthesis weaves powerful connections in my learning life: At the urging of my youngest, who is currently reading Arrowsmith on the recommendation of a mentor, I have moved my copy of the 1925 Lewis classic to the top of my TBR stack.

From the museum, we made our way to the Chicago Shakespeare Theater for The Winter’s Tale, a play with which I grow more irritated each time I see it. It’s a fairy tale, my older daughter has patiently explained. Well, then, I have retorted, the only suitable conclusion would be the lonely and terrible death of Leontes. Cheek by Jowl’s production earned my respect not only for its inventive direction and wonderful performances but also for amplifying my sense that, yes, Leontes is a disturbed drama king, and his queen, his friend, his court are his enablers. This staging unabashedly holds all of them accountable for the despair that defines their kingdom, and it made. me. think. High praise.

On the way home, as we discussed the psychology at work in such an interpretation of the play, I scanned the landscape and wondered how Wood would capture the cold night. Oh! “January” is a winter’s tale.

Serendipity. Synchronicity. Synthesis.

The following are a few other images I took during our recent visit to the Art Institute.

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Only five more days…

Recent acquisitions.

Recent acquisitions.

… until jólabókaflóð!. As I shared last year, it delights me that the way in which we have celebrated Christmas Eve for more than thirty years has a name, “Christmas book flood.”

A flurry of coupons, gift cards, and textbook sellbacks has meant that I’ve experienced a bit of a flood before the flood, so to speak. Speaking of recent acquisitions, The Vegetarian is a fine book, but it has, in my opinion, been rather over-praised. The “Kafka-esque” description, for example. Really? It reminded me more of Josephine Hart’s Damage (1991) — fraught, erotic, offbeat, memorable even; but, ultimately, slight.

Soon it will be time for my annual reading life review. At this writing, I’ve completed 120 119 118 books, of which thirty were graphic works and seventeen were plays. Interestingly, at least a dozen were rereads, including a number of books first read in high school or earlier (e.g., The Call of the Wild (Jack London) and The Turn of the Screw (Henry James)).

What have you been reading? What books do you hope to receive this holiday?