Winter break

img_0795The last exam slot during finals week was 7 to 10 p.m. Friday night, and when our younger daughter emerged from the laboratory building, the sidewalks and roads were so slick with ice, we wondered whether we should check into a hotel and try for home in the morning. We pulled away from their residence hall after 11 p.m. Sleet. Wind. Snow. It was a long, treacherous drive, and after we pulled into the garage, we cleared the driveway and walks. By the time we crawled into bed, it was nearly 4:30 a.m.

But they are home.

And all is right in our world.

The year of the house sparrow

img_6858img_6870As I shared here, the bird I first espied this New Year’s Day was a house sparrow — one of a sizeable tribe that calls our yards home. After making my Project FeederWatch observations this week, I captured a few images. Would that I had had the camera out when the hawk chased several birds into the picture window and then stunned itself on it! (All survived the mishap.) It has been cold, so I have not yet removed the ghostly bird prints etched into the glass surface.

Random bits:

■ We first saw the Q Brothers more than three years ago at the Chicago Shakespeare Theater (CST). Their Othello: The Remix, an “ad-rap-tation” of Shakespeare’s play, rendered us immediate and forever fans of the Brothers and their crew. We have seen The Remix six times and A Q Brothers’ Christmas Carol three times; and we traveled more than three hours to see Q Gents at the 2015 Illinois Shakespeare Festival. So, yes, I am biased, but from the moment Hamilton first edged into the news, I have thought, “GQ and JQ have been robbed.” Make no mistake. I believe Lin-Manuel Miranda is wildly talented, but he was working ground the Brothers had already broken. It delights me that someone else thinks so, too:

Lest anyone think these B-boys are riding on Hamilton’s red coattails, writers-directors-stars-siblings GQ and JQ pioneered hip-hop theater back in 1999 with their uproarious The Bomb-itty of Errors, inspired by Shakespeare’s similarly titled romp.

Othello: The Remix is currently playing at the Westside Theatre in NYC, and folks are enjoying it. (NYT review here.)

■ Even though I think the Q Brothers should be recognized for their role in transforming the American musical, I would be lying if I said we weren’t all beyond excited about seeing Hamilton over winter break. And, no, I haven’t any “How we scored tickets” stories. Ticketmaster. Straightforward and simple. None of us can believe our good luck. We will also see The Winter’s Tale and King Charles at the CST, that latter of which has been well reviewed (here and here). Oh, and Pygmalion at Remy-Bumppo. These adventures may well be the exclamation marks that punctuate our staycation.

■ A couple of other things we think will shape our break: The Hollow Crown: The Wars of the Roses.Master Drawings Unveiled: 25 Years of Major Acquisitions.” Quirkle Cubes and Ticket to Ride. The weather!

■ Early in the semester, my daughter wanted a copy of Arrowsmith (Sinclair Lewis) because it is one of her physics professor’s favorite books. Later in the semester, it was The Forever War (Joe Haldeman). Both were on our shelves, so when I heard she was reading the latter during her mini study breaks, I pulled it down. I cannot wait to hold our informal book club meeting. In other reading news…

The perseverance in this world, despite it all, of things done right.

That sentence describes the “point” of The Last Policeman (Ben H. Winters) perfectly. I so adored the first of the trilogy that I’ve actually prevented myself from turning to the second book; I don’t want to be disappointed.

While my husband continues to study for his certification exams this weekend, I hope to finish (finally) Life Reimagined (Barbara Bradley Hagerty). I also have this week’s comics and a stack of magazines.

■ I cannot believe I never mentioned that The Americans became my small-screen obsession (s-so) when I finished with Mr. Robot. Wow! Amazing acting, compelling storytelling. Highly recommended. My next s-so will likely be Rectify but not until mid-January, when my daughters head back to university.

Faintly falling

img_8714From James Joyce’s “The Dead”:

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. […] His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

About five inches of snow faintly fell yesterday. The walks and roads were clear when we rose this morning, but the yards were a white blanket, wrinkled only by my husband’s path to the feeders and the many prints of seed-seeking birds and critters. Beautiful.

On reading

Recent acquisitions.

Recent acquisitions.

Two articles about reading captured my attention this week. The first, Will Schwalbe’s essay “The Need to Read” (WSJ, November 26), begins:

We all ask each other a lot of questions. But we should all ask one question a lot more often: “What are you reading?”

One of my favorite questions! Unfortunately, it can yield a crop of disappointing answers, including, “Oh, I don’t have much time for reading.”

Receiving a title or genre in response to the query is no guarantee that disappointment won’t soon follow, either. “I just read for entertainment” and “Oh, don’t over-analyze it” are two of my least favorite follow-up responses. Both seem designed not only to end what could have been a vibrant interaction but to dismiss and disparage me for being keen to explore. “Over”-analyze? Because I compared one novel to another? Because I wondered if you’d seen so-and-so’s review? Because I quoted a line or asked if you thought the closing paragraphs were effective?

Bosh.

My family spends a great deal of time talking about books — and, for that matter, movies, plays, art, television programs, and music. We describe what works for us and what doesn’t. We compare one book (or author or director or actor or artist) to another and stitch thematically similar works together — all in an ongoing conversation about what each of us is reading, thinking, learning, doing, and seeing. Over the last decade, we have been able to approach some works multiple times: Shakespeare’s plays, for example; LOST and Sherlock; Fargo and Soylent Green; the exhibits of many museums. This deepens and colors our discussion. More valuable to me than nearly all that we own is this mental treasure map of our shared experiences and memories, complete with its legend, comments, and annotations.

If that’s “over”-analysis, I am guilty, I guess. It’s funny, though, because, to me? That’s just good talking.

Here is another passage:

Books are uniquely suited to helping us change our relationship to the rhythms and habits of daily life in this world of endless connectivity. We can’t interrupt books; we can only interrupt ourselves while reading them. They are the expression of an individual or a group of individuals, not of a hive mind or collective consciousness. They speak to us, thoughtfully, one at a time. They demand our attention. And they demand that we briefly put aside our own beliefs and prejudices and listen to someone else’s. You can rant against a book, scribble in the margin or even chuck it out the window. Still, you won’t change the words on the page.

The other article is “A Plea for Reading in College” (Forbes, November 30):

I’m not saying that everyone should read a prescribed core of “great books” or that not enjoying reading automatically makes you suspect. However, one of the great advantages of reading, aside from the activity itself, is how it develops one’s imaginative powers. Whether in fiction or non-fiction, entering into a dialogue with characters and authors widens a reader’s perceptions of the world, a condition that greatly increases an individual’s ability to grasp the complexities that surround us, at the same time interacting with them and creating new forms and ideas.

Both articles compare the act of reading to a discussion: “They speak to us…” “You can rant against a book…” “[E]ntering into a dialogue with character and authors widens a reader’s perceptions of the world….”

So. I’m not “over”-analyzing. I’m reading, thinking, learning, and talking.

And you? What are you reading?