The above is my image of detail from Heidi Whitman’s work at the New Bedford Whaling Museum. My younger daughter and I were there this weekend for the thirtieth anniversary of the Moby-Dick Marathon, for which we were both readers. This year’s event commemorated Melville’s 1841 departure aboard the whaleship Acushnet: It has been 185 years since the adventure that yielded Moby-Dick and 175 years since the publication of the novel.
A little late posting this… The edition of The Time Machine features the cover design by a contestant on Work of Art, a program my daughters and I enjoyed when it aired more than fifteen years ago.
The above are my images of details from the following works of art: Le Jardine (1959-60) by Herbert Gentry; Floral Still Life (1880-90) by Charles Ethan Porter; The Piper (1953) by Hughie Lee-Smith; Four Days and Four Nites (2019-2020) by Jim Denomie; and The Suicide of Mr. H. (1961) by Asger Jorn.
page 150 You can feel sorry for yourself and not whine about it. Future-you will thank now-you for not giving up when you feel like it. Suffer, but don’t add to your suffering with a whole performance. Write a timetable, stick to it. “Our routes,” I’d told the children when they were small. “Bath, books, bed.” Routine first, because routine is a way to get traction, if nothing else, when all else fails or has failed: handhold, toehold, step. “It’s a question of discipline… When you’ve finished washing and dressing each morning, you must tend your planet. I’d written that out for all my children, from The Little Prince.
That’s the great thing about parenting, one of them, all the stuff I wish I’d known; I could learn it and teach it at the same time.
page 211 Even ease takes discipline is the point; you have to participate in your own life, survive enthusiastically whatever happens, or you’ll never rise again. Discipline is borrowed backbone. I’d have been sunk, drunk, gone under without it.
Discipline is the only gift you can give your future self.
page 252 You see, in this way, a child dies — your child, mine — and you think, I thought, I’ll never care about anything else again. Not really. But unbidden, other things shoulder their way into your grief, saturated world; and coincidentally, you should shoulder your way out of it. Apples roll under seats, you drink, tea, and your bladder fills. You register injustice, you feel outrage, you find yourself at a border post looking for the bathroom. You’re ridiculous and human and insufficient, but you’re back in play. Relief filled my chest, blew it open like the steel bands on an oak casket that had been snapped.
Over the holiday, I finished The Amazing Adventures of Kavalier and Clay (Michael Chabon; 2000) for one Roundtable by The 92nd Street Y course and have nearly finished The Oppermanns (Lion Feuchtwanger; 1933) for another.
My reread of Moby-Dick (Herman Melville; 1851) with Samantha Rose Hill continues. As I mentioned, my daughter and I are registered to read in the Moby-Dick Readathon at the New Bedford Whaling Museum. This year, the event begins on January 3, exactly 185 years after Melville sailed from New Bedford on the Acushnet. We will return to Boston from the Readathon in time for my daughter to head to work and for me to attend (virtually) the first meeting of the latest iteration of UChicago Graham School’s course on the book.
A friend and I will continue making our way through E.M. Forster’s novels with Howards End (1910), January’s selection. We will also meet to discuss some short stories in December, beginning with the first in Simon Van Booy’s 2009 collection, Love Begins in Winter.
Music lessons resume this coming week; the holiday concert is the following week. With winter holidays and related prep and travel, it’s difficult to say what sort of progress I will make on the two remaining projects in the sidebar.