
A few new volumes, two of which were gifts.

🎶 In last week’s lesson, we concluded our work on the Mozart Duetto No.1, K.378, an eleven-page undertaking that began in late June. Because this is the final piece in Selected Duets for Flute, Volume II (Advanced), I have moved on to Johann Christian Schultze’s Sonata for Two Flutes in Album of Flute Duets, revised and annotated by Louis Moyse.
🎶 Somehow I have arrived at page 16 of Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 2, which means I am working on the second of Köhler’s “moderately difficult pieces as studies for flute” from Op. 33, Book 2. For this adult learner, they are simply difficult, but the work informs my progress in band.
🎶 Not long after I presented the first half of 113 in P. Bona’s rhythmical articulation studies, band rehearsals resumed. With only a few days until our fall concert, however, Bona has moved from the bottom of my daily practice roster back to the (near) top. According to my instructor, only two assignments remain in this book, 116 and 120, the latter of which is five pages long; hence, Bona will remain on the practice roster until at least mid-2024.
🎶 For the last three weeks, I have been working on the third movement of the Stamitz Concerto in G major, Op.29. Unsurprisingly, getting the passage of triplets at measure 45 and the quick measures beginning at 225 under my fingers requires the concentrated repetition in assorted rhythms that many instrumentalists hate but that I really appreciate.
🎶 I first joined the community band for the Spring 2018 concert program. While I felt welcomed and well-supported in what was then a large section, I also felt woefully unready. Four and half years later, when I arrived for the Fall 2022 program, I brought my husband and a significantly stronger skill set. For this weekend’s concert, in addition to a featured flute passage in one piece, I was also assigned the featured piccolo passage in another. What a difference 3,000 hours* can make.
* the (very) approximate number of practice hours between May 2018 and November 2023

Image captured by my older daughter.
Three weeks have passed since we departed for our NYC adventure. Sparing my seventy-three readers a cliché about time’s passage, I will confine myself to a bemused (virtual) headshake.
Reading: I’m more than halfway through The Woman in White and 195 pages into The Magic Mountain. I had thought I would read ahead in New Grub Street, but this week, I simply kept pace with the APS Together schedule. I hope to finish Our Missing Hearts (terrific review here) over the weekend.
Latin and music: The trip, re-entry, and preparation for the upcoming concert left me a bit short of time and energy for my Latin studies, although my husband did help me drill vocabulary on our trip into Chicago last weekend. (We saw Twelfth Night at the Chicago Shakespeare Theater. Recommended.) The two music lessons since my return from NYC were longer to make up for the lesson lost during vacation (yes, she’s a terrific instructor), and the assignments represent greater challenges, which, coupled with band music, require a continuing commitment to regular (and extended) practice.
Perhaps if I were as strict about Latin as I am about music, I might be reading Ovid by now. Sigh.
More when time permits.




My final stop at the Met last Monday.

A few new books.
My post-vacation “re-entry” included several naps and oversleeping the usual morning alarm twice, but I’ve mostly returned to the rhythms and routines of regular time: Following an eight-day break, I resumed music practice. (Given how well the first two sessions went, I wonder if a periodic respite might have some merit.) Following an unplanned re-read of the delightful From the Mixed-Up Files of Mrs. Basil E. Frankweiler (we just visited the Met; how could I not?), I am now reading my second #Victober selection, Wuthering Heights. And my Latin homework is already on my desk for tomorrow.







The above are my images of detail from the following works of art:
✤ Illia Repin (Ilia Efimovich Repin). Vsevolod Mikhailovich Garshin (1855-1888). 1864
✤ Jackson Pollock. Autumn Rhythm (Number 30). 1950
✤ Edward Hopper. Office in a Small City. 1953
✤ Thomas Hart Benton. America Today.1930-31
✤ Yves Tanguy. Title Unknown.1926
✤ Cecily Brown. Aujourd’hui Rose. 2005
✤ Marble head of Epikouros. Roman, Imperial Period, 2nd century A.D.