Progress

Reading: The TBR shelf has become unwieldy, and it doesn’t even include all of the active titles. Not pictured: Blood Meridian (Cormac McCarthy), Babel (R.F. Kuang), SPQR: A History of Ancient Rome (Mary Beard). In the past, when the stack has become this overwhelming, I’ve simply shelved most of it, figuring (hoping?) that I will return to the books. Eventually. This summer, though, I’m leaning into the “chaos,” letting the shelf remain as it is — in fact, adding to it. Let’s see what I get through before August’s subtle shift of light across my floor.

So far this year, I’ve read fifty-five books, which is a slower pace than the last couple of years. Today I am in the process of finishing Jeremy Denk’s memoir, Every Good Boy Does Fine.

Latin: After a long hiatus, I returned to my Latin studies this week. In January, I submitted my work on CAPVT V with every intention of dovetailing Latin into my spring semester once the assorted classes and groups in which I participated had gotten underway, but the required reading (and writing, in the case of one tutorial) reduced my time for Latin to a few vocabulary review sessions each week. Not ideal. Last night, I submitted my work on CAPVT VI; now all that remains is to read and outline the sixth chapter of SPQR. My goal is to finish CAPVT VII and CAPVT VIII by mid-July. This is a doable rather than rigorous goal.

Other studies: This week was the fourth of eleven meetings for the Catherine Project’s summer reading group on Plato’s Republic. I am pairing my reading with David Roochnik’s lectures (The Great Courses). And I’ve finished seven of the twenty-four lectures in Professor Roberto González Echevarría’s “Cervantes’ Don Quixote” (Open Yale Courses). 

Music: In mid-May, following my last music lesson of the spring semester, I did what I usually do: played a bit of hooky from my daily practice schedule, which, naturally, made my return to regular practice alternately embarrassing (Ugh! What’s with my intonation and tone?) and exhilarating (Wow! Listen to how much of that piece I remembered!). I am not participating in the summer recital, so I’ve scheduled one long lesson for June and one for July. (Weekly lessons and community band rehearsals resume in mid-August.) Yes, I am still cutting myself some slack, but I am practicing. By spring semester’s end, we had reached the Rondo and Allegro molto of the Mozart Duetto No.1, K.378, so I’ve been polishing that for this month’s lesson, as well as the Allegro on page 13 of Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 2. I’ve also begun working on 113 in P. Bona’s rhythmical articulation studies and the second movement of the Stamitz Concerto in G major, Op.29. (Why the second and not the first? Quite simply, the Andante non troppo moderato seemed like a much kinder, gentler place to begin this long project than the Allegro.)

Participating in the community band (and, yes, my teacher’s encouragement) moved me to invest in a piccolo this spring. Because I’ve been working on exercises and short pieces for the piccolo following my flute practice, I have had much less time for the alto flute. I am interested to see what, if any, piccolo work, I am assigned for this fall’s concerts, but I do miss the alto. Working to find a balance….

(For those who are interested in this sort of thing, the concert flute is a handmade Miyazawa 602 with the MX-1 cut headjoint (14K riser), offset G, heavy wall tubing, C# trill key and D# roller; the piccolo is a Hammig 650/3 with a modified wave thin headjoint; and the alto is a Trevor James copper alloy with both the curved and straight headjoints.)

Gardening: We added two more “pollinator pockets,” for a total of four 3×6 raised beds. Four large barrels and numerous other containers also brim with flowers. Maybe we will enjoy this sort of success later in the season? Drought conditions continue here, although the temperatures have been mild. (Hey, would someone dump a cup of iced tea on those who are playing with firecrackers in this weather? Not too bright, folks.)

Health: When I re-retired in February 2020, my goals were to read and study more, practice more, and pay more attention to my health. Check, check, and check. As I think I’ve shared, I’ve lost more than forty pounds since March 2020 — this, thanks to a near-daily walking habit coupled with stretching, some weight work and stationary cycling, and much more mindful meal planning. I still have some work to do, but yard work, the return to long bike rides on the weekend, and kicking up our walking pace is starting to get me there.

Acquisitions

My birthday usually brings a number of new books to my house;
I think one or two more boxes are due.

Today after our walk to the lake, we readied the bikes for the first ride of the season — maybe tomorrow? Apart from that, my day comprised the remaining weekly chores, a terrific meal, and reading.

It’s late, but I’m about to begin a short practice session with a focus on my current étude, the allegro on page 13 of Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 2. Since January, I’ve worked on a number of short solo pieces by French composers, including the delightful “March of the Jolly Fellows” (Henri Gagnebin). I “retreated” to (somewhat) less challenging solo selections because this semester’s duet work was demanding, as were the selections for band. But my teacher has announced that after Fauré’s “Après un rêve” and Debussy’s “Arabesque No. 1,” I will begin preparing a (*gulp*) concerto. Tonight it’s the Fauré, though, and continuing work on the Mozart duet.

New books, a play, and some music

A couple of new books.

Over the weekend, we saw The Comedy of Errors, the last production Barbara Gaines will direct as artistic director of the Chicago Shakespeare Theater. (Reviews here and here.) For the record, we didn’t mind the framing device, at all. Errors is a fairly ridiculous play; the frame gave it the support most contemporary audiences require. We also heard a short concert given by a small ensemble of Elgin Symphony Orchestra members — really delightful.

Accio, flute!

1079DEB4-267E-4CAC-A066-338175C5157DIn late July, I played the Allegro Molto from Schubert’s Sonatine in D Major in my very first in-person recital — a solid performance. Soon after, I entrusted my wonderful flute to a new (to me) technician for its annual COA. (In July 2021, my previous technician closed his business and retired.) It was returned to me in beautiful condition, but in August, I visited Ollivanders, I mean, Flute World, where my new wand flute chose me. More experienced instrumentalists than I will attest to the fact that an upgrade can do remarkable things for one’s confidence playing. And they are so right.

My current solo piece is Gabriel Fauré’s “Pavane.” I’m also working on page 10 of Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 2, and “Duetto No. I (based on Sonata in B flat, K. 378)” (Mozart) in Selected Duets for Flute, Volume II (Advanced). It’s been a long slog, but I’ve (finally) made it to 111 in P. Bona’s rhythmical articulation studies.

And after much discussion, my husband and I decided to change bands. Joining the local community band has saved us 2.5 hours a week of driving — and in one semester and three concerts, measurably improved our skills. Rehearsals start up again in a few weeks. Given my other pursuits, then, my practice schedule will remain largely unchanged:

— 15 minutes: long tones, scales, and/or exercises
— 20 minutes: Melodious and Progressive Studies
— 20 minutes: duet
— 15 minutes: rhythmical articulation
— 20 minutes: solo
— 20 minutes: band music or other

In May, I acquired a beautiful alto flute. What a sound! I took private lessons throughout the summer and fall with the idea that I might accept a few alto parts in flute ensemble. Because the flute ensemble remains fairly informal and still has no performance plans, I bowed out for a bit to focus on band music, but in the coming months, I will add the alto back into my practice at least twice a week.

New books

This weekend, we saw a remarkable production of Measure for Measure at the Chicago Shakespeare Theater and performed in our community band’s Halloween concert. Upcoming: music lessons, early voting, reading group meetings, walks, leaf-raking, and a two-day respite to recover from the Covid bivalent booster. 

It’s been a while.

Recent acquisitions.

In the two weeks since my last post…

The band my husband and I joined earlier this year performed its spring concert. What a lot of fun! The flute section recently decided to form a small performance group, so in addition to the weekly rehearsals for band, I’m now practicing with the flute choir.

Our “pollinator pockets,” which we finished planting over Mother’s Day weekend, suffered a bit in last week’s heat wave, but we were able to protect them with a canopy and extra watering.

The bird feeders remain down until May 31 — or longer, if that’s what advised.

Spring

Seen on our walk yesterday.

All of the plants for the “pollinator pockets” I’m planning for the two raised beds we prepared last month are crowded into three-season room. It’s a beautiful mess — and hell on my allergies. “They” say that the last frost is behind us, and the warming trend begins this weekend, so I hope to plant early Sunday morning. In the meantime, I’ve mulched the other beds, repaired the borders, tidied the patio, readied the containers for perennials, repaired a few bare-ish lawn patches, removed all the feeders, and, yes, already mowed. Twice. (Hey, when you keep the grass a little longer, it’s critical to keep it tidy.)

And now that I’ve typed this, I realize I’ve procrastinated long enough. It’s time to practice my music. Our concert date approaches, as do this semester’s final three private lessons.

Catching up

Recent acquisitions.

My commitment to annotating my reading list has waned primarily because enough note-taking, peripheral reading and studying, and discussion occurs in the assorted groups in which I am participating that I feel as if I’ve said what I need to say. Of course, I haven’t said it here, but music practice (1), band rehearsal (2), planning raised beds for pollinators, backyard birding (3), plus studying and reading have all conspired to keep me off the computer (except when I’m in Zoom meetings). We’ll see if I can remedy that.

__________________________________

(1) My current solo piece is (still) Howard Ferguson’s Three Sketches for Flute and Piano. I’m also working on No. 15 of 18 Studies for Flute by Joachim Anderson, Op. 41, in Robert Cavally’s Melodious and Progressive Studies from Andersen, Gariboldi, Koehler, and Terschak for Flute, Book 1, and Sonata No. V (Handel) in Selected Duets for Flute, Volume II (Advanced), as well as scales, rhythmical articulation, and music for the spring concert.

(2) Yes, we joined a band of adult amateurs, who range from late beginner to early-advanced. During the 1.25-hour commute there and back, we’ve been listening to The Great Courses (TGC) on Dante’s Divine Comedy, which I’m reading for 100 Days of Dante. We’ve also been sampling TGC lectures on the bible. Neither of us has read it, cover to cover, so to address this educational gap, we’re using a reading schedule we found online, (usually) doubling the daily commitment, so that we finish this summer.

(3) For the last week or so, we’ve had a tiny flock of Common Redpolls at our feeders, a first in the eleven years at the forever home. This article shed some light on what may be going on. (Is it too much to ask that some of the sandhill cranes we’ve espied in the neighborhood stopped in our yards?)