Only so for hours

While visiting a state park on Monday, I noticed that the spring gold — a color I don’t actually care for — had nearly yielded to green. “Nothing gold can stay, Pony Boy,” I quipped, but then I could not recall the complete poem. Reading aloud from one of the first authoritative sites in my search, I thought that, while movingly beautiful (“In gold as it began / The world will end for man. / And some belief avow 
/ The world is ending now. / The final age of gold…”), the poem seemed unfamiliar. Reading more carefully, I realized that I had recited an early draft of Robert Frost’s work. The poem we know, of course, is only eight lines:

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

Each April, I promise myself I will read more poetry and perhaps memorize a poem. This year, I successfully kept the first promise: I finished Dante’s Purgatorio. My daughter and I read You Are Here: Poetry in the Natural World (edited by Ada Limón). And, as part of our dive into Brazilian-Portuguese literature, we also read Multitudinous Heart: Selected Poems (Carlos Drummond De Andrade). Now, how to keep the second promise? Like high-impact aerobics and all-nighters, memorization is an activity that was more easily executed when I was younger, so I’ve begun this task gently, rereading and rereading. I think I’ve nearly got it and wonder if I should try another.

Do you memorize poetry? What are your tips?

“And I have known the eyes already, known them all —”

My photo of Desert Forms (Hughie Lee-Smith; 1957).

In March, during a visit to the Art Institute, I saw this painting in a way I think of as “again for the first time.” The plaque indicates that the artist “often situated enigmatic people in bleak landscapes,” a reflection of Lee-Smith’s experience as an African American. Earlier that month, I had reread “The Love Song of J. Alfred Prufrock” (T.S. Eliot; 1915), and the painting evoked in me the same sense of depthless anxiety and loss the poem did:

Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.

For I have known them all already, known them all….

Winter afternoons

From lows in the teens and biting winds, we have temporarily arrived at upper forties and a breeze. Today we will walk without scarves and wash the windows.

This weekend, to prepare for an Academy of American Poets seminar, I am reading a selection of Emily Dickinson poems, including one that begins:

There’s a certain Slant of light,
Winter Afternoons –
That oppresses, like the Heft
Of Cathedral Tunes –

As they say, mood.

Other books on my nightstand include The Bell (Iris Murdoch; 1958), Daytripper (Fábio Moon and Gabriel Bá; 2010), and King Lear.

“There are sorrows keener than these.”

From “The Blue Bowl” by Jane Kenyon:

Silent the rest of the day, we worked,
ate, stared, and slept. It stormed
all night; now it clears, and a robin
burbles from a dripping bush
like the neighbor who means well
but always says the wrong thing.

By the waters

My image of detail from “Another Chance” by Jack Butler Yeats (1944).

While preparing Louis Aubert’s Lied for flute and piano in September, I stumbled onto a recording of Robert Beaser’s “The Old Men Admiring Themselves in the Water.” Based on the William Butler Yeats poem of the same name, it is a haunting, lovely piece. I presented it at a lesson last month.

“Another Chance,” which demanded my attention this Saturday, is painted by Yeats’ brother. The places at which my interests and pursuits intersect delight me.

“‘All that’s beautiful drifts away / Like the waters.’”

Of course, what drew my eye initially was the figure — to me, Ishmael atop Queequeg’s casket. Speaking of the intersections of interests and pursuits, my younger daughter and I are scheduled to read at the 2025 Moby-Dick Marathon. (I was a reader for the virtual program in 2021.)

Respite

The heat warning ended, more books arrived, and really? Nothing is right with the world, is it? But Friday still becomes Saturday and Saturday, Sunday, so here I am, reading Nights of Plague for a book discussion, practicing Florence Price’s “Juba Dance” for band rehearsal on Monday, and wondering whether I should walk first this afternoon or do the yard work first. And with a thud of all-at-onceness, such banal dithering has made me as uncomfortable as my first encounter with Ilya Kaminsky’s poem.

(forgive us)

“Some say in ice.”

It’s beautifully, wonderfully, perfectly sunny today, but this photo from our last walk of 2022, taken under the dome of heavy, gray sky that is winter in Illinois, captured my attention. I hadn’t realized when I took it that you can make out the ice crystals.

Title inspiration.