Staten Island Ferry

Image captured by my older daughter.

Three weeks have passed since we departed for our NYC adventure. Sparing my seventy-three readers a cliché about time’s passage, I will confine myself to a bemused (virtual) headshake. 

Reading: I’m more than halfway through The Woman in White and 195 pages into The Magic Mountain. I had thought I would read ahead in New Grub Street, but this week, I simply kept pace with the APS Together schedule. I hope to finish Our Missing Hearts (terrific review here) over the weekend.

Latin and music: The trip, re-entry, and preparation for the upcoming concert left me a bit short of time and energy for my Latin studies, although my husband did help me drill vocabulary on our trip into Chicago last weekend. (We saw Twelfth Night at the Chicago Shakespeare Theater. Recommended.) The two music lessons since my return from NYC were longer to make up for the lesson lost during vacation (yes, she’s a terrific instructor), and the assignments represent greater challenges, which, coupled with band music, require a continuing commitment to regular (and extended) practice.

Perhaps if I were as strict about Latin as I am about music, I might be reading Ovid by now. Sigh.

More when time permits.

Re-entry

A few new books.

My post-vacation “re-entry” included several naps and oversleeping the usual morning alarm twice, but I’ve mostly returned to the rhythms and routines of regular time: Following an eight-day break, I resumed music practice. (Given how well the first two sessions went, I wonder if a periodic respite might have some merit.) Following an unplanned re-read of the delightful From the Mixed-Up Files of Mrs. Basil E. Frankweiler (we just visited the Met; how could I not?), I am now reading my second #Victober selection, Wuthering Heights. And my Latin homework is already on my desk for tomorrow.

More at the Met

The above are my images of detail from the following works of art:

✤ Illia Repin (Ilia Efimovich Repin). Vsevolod Mikhailovich Garshin (1855-1888). 1864
✤ Jackson Pollock. Autumn Rhythm (Number 30). 1950
✤ Edward Hopper. Office in a Small City. 1953
✤ Thomas Hart Benton. America Today.1930-31
✤ Yves Tanguy. Title Unknown.1926
✤ Cecily Brown. Aujourd’hui Rose. 2005
Marble head of Epikouros. Roman, Imperial Period, 2nd century A.D.

Monday at the Met

Manet/Degas.

The above are my images of detail from the following works of art:

✤ Edgar Degas. Édouard Manet Standing. circa 1868
✤ Edgar Degas. Edmondo and Thérése Morbilli. circa 1865
✤ Édouard Manet. The Dead Toreador. probably 1864
✤ Édouard Manet. Émile Zola. 1868
✤ Édouard Manet. The Races at Longchamp. 1866
✤ Edgar Degas. The Orchestra of the Opera. circa 1870

At the museum

Images captured at MoMA

The above are my images of detail from the following works of art:

✤ Willem de Kooning. Painting.1948
✤Joan Miró. Barcelona, XXIII. 1944
✤ Peter Blume. The Eternal City. 1934-37
✤ René Magritte. The Menaced Assassin. 1927
✤ Joseph Cornell. Untitled (Bébé Marie). 1940s
✤ Leonora Carrington. And Then We Saw the Daughter of the Minotaur. 1953
✤ Marcel Duchamp. The Passage from Virgin to Bride. 1912
✤ Marc Chagall. I and the Village. 1911
✤ Egon Schiele. Standing Male Nude with Arm Raised, Back View. 1910
✤ Jackson Pollock. One: Number 31, 1950. 1950
✤ Jackson Pollock. Number 1A, 1948. 1948
✤ Lee Krasner. Untitled. 1949
✤ Pablo Picasso. Harlequin, Paris. Late 1915