Self-conscious

Portrait Bust of a Woman; Mid-2nd century, Roman.
My photo, taken at the Art Institute of Chicago.

Women beyond a certain age are largely unseen, I know, but beneath that cloak of invisibility, I have been self-conscious about my appearance for several months. My husband and daughters have assured and reassured me that all is well, but I didn’t begin to believe it until yesterday, when the surgeon smilingly beheld her work and declared that I am healing much more quickly (and much less traumatically) than most can expect; more, I will look as if much of this had never happened — and soon.

Since late August, it has sometimes felt as if my calendar comprised only medical appointments followed by return visits coupled with lab work accompanied by consultations, as if my days demanded many, too many, health-related accommodations. This is a drama-filled and -fueled interpretation of what were largely commonplace issues associated with aging, and when I couldn’t talk (or shame) myself out of feeling sorry for me, I walked. It helped (even when it hurt — hence, the orthopedist, the orthotics) — as did reading, finding the Jerry Orbach seasons of Law & Order on Hulu, looking at art, and listening to music, including pop treasures like this.

Today through rain-streaked windows, I can see wet-feathered birds visiting our feeders while I, dry and warm in my favorite chair, read from a stack that includes Shakespeare’s Henry V and The Tempest and Cormac McCarthy’s Blood Meridian. And according to the forecast, I should be able to walk for a bit before class tonight. I’ll wear my cloak of invisibility with confidence.

Clearing my mind of selfish care

New books.

This week I read Prodigal Summer (Barbara Kingsolver; 2000), this month’s SciFri Book Club selection. Although it began compellingly, by the midpoint it had grown wearingly didactic. Still, moments delighted me, including one in which Deanna, an introvert and solitary forest ranger, meets the colleague who brings her supplies. He expresses surprise that she doesn’t want a television, doesn’t listen to the radio. A big news event could occur, he chides, “and you wouldn’t know it for a month.” She asks what would be different because he knew that same news. Nothing, it turns out. She replies, “Why I like my life, Jerry. I watch birds. They do something different every fifteen minutes.” These days, I share some of that sensibility.

Related: In Doppleganger: A Trip into the Mirror World (2023), which I finished reading over the weekend, Naomi Klein mentions Iris Murdoch’s ideas about “unselfing.” At The Marginalian, I learned more. In The Sovereignty of Good, Murdoch writes:

Beauty is the convenient and traditional name of something which art and nature share, and which gives a fairly clear sense to the idea of quality of experience and change of consciousness. I am looking out of my window in an anxious and resentful state of mind, oblivious of my surroundings, brooding perhaps on some damage done to my prestige. Then suddenly I observe a hovering kestrel. In a moment everything is altered. The brooding self with its hurt vanity has disappeared. There is nothing now but kestrel. And when I return to thinking of the other matter it seems less important. And of course this is something which we may also do deliberately: give attention to nature in order to clear our minds of selfish care.