Happy jólabókaflóð!

On jólabókaflóð, I feel sorrier for my TBR stacks than usual. Inevitably, a few books end up being ditched for the newcomers.

On jólabókaflóð, I feel sorrier for my TBR stacks than usual.
Inevitably, a few books end up being ditched for the newcomers.

For more than thirty years, well before we knew its name, my husband and I — and later, our children — have celebrated “Christmas book flood” on December 24. One of our favorite days of the year, we celebrate with a long walk in the woods, a feast, and, when night falls, an exchange of gifts, especially books.

Another of our winter traditions is to spend Thanksgiving and / or Christmas at the Brookfield or Milwaukee County zoo. For the last few Thanksgivings, our daughters’ studies have put the kibosh on the trip, but we’ve been consistent about visiting on or near Christmas, and on Friday, we had the Milwaukee County Zoo to ourselves. Tree kangaroos, fennec foxes, and tiger cubs! Oh, my!

Wishing you and yours a wonderful winter holiday!

Serendipity. Synchronicity. Synthesis.

My photo of Grant Wood’s “January” (1938).

Grant Wood’s work has always put me in mind of a Sinclair Lewis novel. At some point, I learned that this is not an arbitrary connection:

In 1937, Grant Wood was asked to illustrate a novel that, like his painting American Gothic, had already become a classic: Sinclair Lewis’s Main Street. Published nearly twenty years earlier in 1920, Lewis’s novel had come to represent the Midwest just as Wood’s paintings symbolized that region during the 1930s. Today Sinclair Lewis and Grant Wood still endure as cultural figures who captured something distinctive yet elusive about the Heartland; yet Lewis and Wood looked at the American Midwest through different eyes. Lewis saw provincialism and narrowness, while Wood gloried in the solid, earthy strength of his fellow midwesterners and their land. Both men felt conflicted about their homes, and these dichotomies filtered into their work.

At the Art Institute’s “Master Drawings Unveiled: 25 Years of Major Acquisitions,” Wood’s “January” reminded me anew that serendipity-synchronicity-synthesis weaves powerful connections in my learning life: At the urging of my youngest, who is currently reading Arrowsmith on the recommendation of a mentor, I have moved my copy of the 1925 Lewis classic to the top of my TBR stack.

From the museum, we made our way to the Chicago Shakespeare Theater for The Winter’s Tale, a play with which I grow more irritated each time I see it. It’s a fairy tale, my older daughter has patiently explained. Well, then, I have retorted, the only suitable conclusion would be the lonely and terrible death of Leontes. Cheek by Jowl’s production earned my respect not only for its inventive direction and wonderful performances but also for amplifying my sense that, yes, Leontes is a disturbed drama king, and his queen, his friend, his court are his enablers. This staging unabashedly holds all of them accountable for the despair that defines their kingdom, and it made. me. think. High praise.

On the way home, as we discussed the psychology at work in such an interpretation of the play, I scanned the landscape and wondered how Wood would capture the cold night. Oh! “January” is a winter’s tale.

Serendipity. Synchronicity. Synthesis.

The following are a few other images I took during our recent visit to the Art Institute.

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Only five more days…

Recent acquisitions.

Recent acquisitions.

… until jólabókaflóð!. As I shared last year, it delights me that the way in which we have celebrated Christmas Eve for more than thirty years has a name, “Christmas book flood.”

A flurry of coupons, gift cards, and textbook sellbacks has meant that I’ve experienced a bit of a flood before the flood, so to speak. Speaking of recent acquisitions, The Vegetarian is a fine book, but it has, in my opinion, been rather over-praised. The “Kafka-esque” description, for example. Really? It reminded me more of Josephine Hart’s Damage (1991) — fraught, erotic, offbeat, memorable even; but, ultimately, slight.

Soon it will be time for my annual reading life review. At this writing, I’ve completed 120 119 118 books, of which thirty were graphic works and seventeen were plays. Interestingly, at least a dozen were rereads, including a number of books first read in high school or earlier (e.g., The Call of the Wild (Jack London) and The Turn of the Screw (Henry James)).

What have you been reading? What books do you hope to receive this holiday?

Winter break

img_0795The last exam slot during finals week was 7 to 10 p.m. Friday night, and when our younger daughter emerged from the laboratory building, the sidewalks and roads were so slick with ice, we wondered whether we should check into a hotel and try for home in the morning. We pulled away from their residence hall after 11 p.m. Sleet. Wind. Snow. It was a long, treacherous drive, and after we pulled into the garage, we cleared the driveway and walks. By the time we crawled into bed, it was nearly 4:30 a.m.

But they are home.

And all is right in our world.

The year of the house sparrow

img_6858img_6870As I shared here, the bird I first espied this New Year’s Day was a house sparrow — one of a sizeable tribe that calls our yards home. After making my Project FeederWatch observations this week, I captured a few images. Would that I had had the camera out when the hawk chased several birds into the picture window and then stunned itself on it! (All survived the mishap.) It has been cold, so I have not yet removed the ghostly bird prints etched into the glass surface.

Random bits:

■ We first saw the Q Brothers more than three years ago at the Chicago Shakespeare Theater (CST). Their Othello: The Remix, an “ad-rap-tation” of Shakespeare’s play, rendered us immediate and forever fans of the Brothers and their crew. We have seen The Remix six times and A Q Brothers’ Christmas Carol three times; and we traveled more than three hours to see Q Gents at the 2015 Illinois Shakespeare Festival. So, yes, I am biased, but from the moment Hamilton first edged into the news, I have thought, “GQ and JQ have been robbed.” Make no mistake. I believe Lin-Manuel Miranda is wildly talented, but he was working ground the Brothers had already broken. It delights me that someone else thinks so, too:

Lest anyone think these B-boys are riding on Hamilton’s red coattails, writers-directors-stars-siblings GQ and JQ pioneered hip-hop theater back in 1999 with their uproarious The Bomb-itty of Errors, inspired by Shakespeare’s similarly titled romp.

Othello: The Remix is currently playing at the Westside Theatre in NYC, and folks are enjoying it. (NYT review here.)

■ Even though I think the Q Brothers should be recognized for their role in transforming the American musical, I would be lying if I said we weren’t all beyond excited about seeing Hamilton over winter break. And, no, I haven’t any “How we scored tickets” stories. Ticketmaster. Straightforward and simple. None of us can believe our good luck. We will also see The Winter’s Tale and King Charles at the CST, that latter of which has been well reviewed (here and here). Oh, and Pygmalion at Remy-Bumppo. These adventures may well be the exclamation marks that punctuate our staycation.

■ A couple of other things we think will shape our break: The Hollow Crown: The Wars of the Roses.Master Drawings Unveiled: 25 Years of Major Acquisitions.” Quirkle Cubes and Ticket to Ride. The weather!

■ Early in the semester, my daughter wanted a copy of Arrowsmith (Sinclair Lewis) because it is one of her physics professor’s favorite books. Later in the semester, it was The Forever War (Joe Haldeman). Both were on our shelves, so when I heard she was reading the latter during her mini study breaks, I pulled it down. I cannot wait to hold our informal book club meeting. In other reading news…

The perseverance in this world, despite it all, of things done right.

That sentence describes the “point” of The Last Policeman (Ben H. Winters) perfectly. I so adored the first of the trilogy that I’ve actually prevented myself from turning to the second book; I don’t want to be disappointed.

While my husband continues to study for his certification exams this weekend, I hope to finish (finally) Life Reimagined (Barbara Bradley Hagerty). I also have this week’s comics and a stack of magazines.

■ I cannot believe I never mentioned that The Americans became my small-screen obsession (s-so) when I finished with Mr. Robot. Wow! Amazing acting, compelling storytelling. Highly recommended. My next s-so will likely be Rectify but not until mid-January, when my daughters head back to university.

Faintly falling

img_8714From James Joyce’s “The Dead”:

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. […] His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

About five inches of snow faintly fell yesterday. The walks and roads were clear when we rose this morning, but the yards were a white blanket, wrinkled only by my husband’s path to the feeders and the many prints of seed-seeking birds and critters. Beautiful.

On reading

Recent acquisitions.

Recent acquisitions.

Two articles about reading captured my attention this week. The first, Will Schwalbe’s essay “The Need to Read” (WSJ, November 26), begins:

We all ask each other a lot of questions. But we should all ask one question a lot more often: “What are you reading?”

One of my favorite questions! Unfortunately, it can yield a crop of disappointing answers, including, “Oh, I don’t have much time for reading.”

Receiving a title or genre in response to the query is no guarantee that disappointment won’t soon follow, either. “I just read for entertainment” and “Oh, don’t over-analyze it” are two of my least favorite follow-up responses. Both seem designed not only to end what could have been a vibrant interaction but to dismiss and disparage me for being keen to explore. “Over”-analyze? Because I compared one novel to another? Because I wondered if you’d seen so-and-so’s review? Because I quoted a line or asked if you thought the closing paragraphs were effective?

Bosh.

My family spends a great deal of time talking about books — and, for that matter, movies, plays, art, television programs, and music. We describe what works for us and what doesn’t. We compare one book (or author or director or actor or artist) to another and stitch thematically similar works together — all in an ongoing conversation about what each of us is reading, thinking, learning, doing, and seeing. Over the last decade, we have been able to approach some works multiple times: Shakespeare’s plays, for example; LOST and Sherlock; Fargo and Soylent Green; the exhibits of many museums. This deepens and colors our discussion. More valuable to me than nearly all that we own is this mental treasure map of our shared experiences and memories, complete with its legend, comments, and annotations.

If that’s “over”-analysis, I am guilty, I guess. It’s funny, though, because, to me? That’s just good talking.

Here is another passage:

Books are uniquely suited to helping us change our relationship to the rhythms and habits of daily life in this world of endless connectivity. We can’t interrupt books; we can only interrupt ourselves while reading them. They are the expression of an individual or a group of individuals, not of a hive mind or collective consciousness. They speak to us, thoughtfully, one at a time. They demand our attention. And they demand that we briefly put aside our own beliefs and prejudices and listen to someone else’s. You can rant against a book, scribble in the margin or even chuck it out the window. Still, you won’t change the words on the page.

The other article is “A Plea for Reading in College” (Forbes, November 30):

I’m not saying that everyone should read a prescribed core of “great books” or that not enjoying reading automatically makes you suspect. However, one of the great advantages of reading, aside from the activity itself, is how it develops one’s imaginative powers. Whether in fiction or non-fiction, entering into a dialogue with characters and authors widens a reader’s perceptions of the world, a condition that greatly increases an individual’s ability to grasp the complexities that surround us, at the same time interacting with them and creating new forms and ideas.

Both articles compare the act of reading to a discussion: “They speak to us…” “You can rant against a book…” “[E]ntering into a dialogue with character and authors widens a reader’s perceptions of the world….”

So. I’m not “over”-analyzing. I’m reading, thinking, learning, and talking.

And you? What are you reading?

Abbreviated

img_8613Afternoons end before they have really begun now, don’t they? By 3 p.m., I must turn on a light here and another there. Abbreviated days possess a sort of magic, especially when the snow finally arrives. But by early January, I suspect that, as in years past, the long nights will begin to weary me, and I will sniff the air for the scent of warm, clean dirt. Spring.

I took the image above during a recent trip to the Museum of Science and Industry. The adventure was equal parts sentiment and foolhardiness. After all, who goes to MSI on the day before Thanksgiving? Everyone, as it turns out. And the trip into the city took twice as long as it should have. Still, we had a lovely time and plan to return for a proper visit (i.e., one that coincides with everyone else returning to work and school) over our long winter break.
img_8610After MSI and dinner, we browsed the wondrous stacks at the Seminary Coop Bookstores and then attended Electra at the Court Theatre. The Court’s Greek Cycle has met with somewhat mixed reviews, but we have appreciated all of it — particularly Sandra Marquez’s majestic Clytemnestra (all three plays) and Kate Fry’s Electra.

Apart from getting the band back together, the trip into Chicago for MSI and Electra was the highlight of our recent ten-day break. Our daughters, now juniors, use the Thanksgiving holiday to get ahead on final projects and examinations, so when they came up for air, we kept it pretty simple. We (re)watched some Sherlock (in anticipation of Season 4) and walked. We raked leaves and counted birds at the feeders. We ate good food and talked. They had appointments for haircuts and annual physicals. Otherwise, they were absorbed by their studies. Soon they will be home again, though, with no projects or exams looming large. We have assembled a much more ambitious itinerary for our winter break, then, including four plays, four museums, the postponed zoo trip, and some eagle-watching.

In early December, while they finish up their fall courses and enter their reading and examination period, I will work through some holiday music and Unit 4 in Rubank Advanced Method, Vol. 1. I have been studying flute for just over two years now and will (again) acknowledge that while I have made tremendous strides, some skills may be beyond me, including velocity. Young learners have a decided advantage when it comes to manual dexterity and speed, to be sure, but the pursuit remains worthwhile and stimulating. Other pursuits for these next two weeks include reading, of course; Project FeederWatch, which now offers an option to report behavioral data (displacement and predation); and my volunteer work at the library, which I don’t think I have mentioned previously. My husband and I gave several hours each week a few summers ago but stepped away from the commitment to focus on our literacy volunteer assignment. I returned to the library in September and am enjoying the people and projects.

Until my next post, here are three more images from our MSI visit, which included a stop at the “Brick by Brick” exhibit.
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“Until nostalgia has smothered my fury.”

The 2016/17 season of Project FeederWatch opened Saturday. Monday and Tuesday are my usual count days, and one of this weekend’s to-do items was to build a better checklist, one that mirrors my typical sightings but leaves room for infrequent backyard visitors (like the Eastern Wild Turkey or the Hermit Thrush). Once I was satisfied with the new design, I pulled out my clipboard, to which last season’s checklists were still attached. In the margin of one was scrawled, “Until nostalgia has smothered my fury.”

I could not recall the origin of this wonderfully apt quote, but a quick search led to a declaration by Maggie Smith’s character in Downton Abbey. You know, I was all in for the first two seasons of DA, but by the third, I had grown a bit bored. I did catch much of the final season, though, even if with only one eye and mostly for the moments Smith was onscreen. If this checklist marginalia was my takeaway, then it was certainly time well spent, as I can think of at least two inquiries to which this is the perfect response.

Ahem.

In addition to the nearly seventy hours I served as an election judge during early voting, I put in 15.5 hours on Election Day. The remainder of last week was devoted to focused music practice, phone time with my daughters, paperwork, and reading. By Friday morning, I was back to my daily walk, and over the weekend, we finished winterizing the forever home between walks, talks, and errands. Can the month be half-over already? We will soon enjoy a nine-day autumn break, then, during which we will see Electra at the Court, visit a museum (or two), spend a day at the zoo (maybe), hike in the woods, and play a number of games (including the expansion pack for Exploding Kittens).

Before the break, though, I will move on from Haydn’s “Serenade” and accept my next solo piece, and I will finish reading Life Reimagined (Barbara Bradley Haggerty), I Hunt Killers (Barry Lyga), The Couple Next Door (Shari Lapena), and Plutona (Jeff Lemire). Cara Hoffman’s Running, an ARC, is being nibbled until those four are done.