










The images above are my photos of detail from the following paintings in Art, Life, Legacy: Northern European Paintings in the Collection of Isabel and Alfred Bader:
■ Ruth and Naomi by Jan Victors, Dutch (1653)
■ Old Woman with a Book by Jacob van Campen, Dutch (1625-30)
■ Elisha and Gehazi by Lambert Jacobsz, Dutch (circa by 1629)
■ Self-Portrait with a Skull by Michael Sweerts, Flemish (circa 1661)




The images above are my photos of detail from the following paintings in Remedios Varo: Science Fiction:
■ “Discovery,” 1956
■ “The Flutist,” 1955
■ “Woman Leaving the Psychoanalyst (Could Be Juliana),” 1960
■ “Creation of the Birds,” 1957


These are two of the photos I took yesterday at Among Friends and Rivals: Caravaggio in Rome: “Martha and Mary Magdalene,” about 1598, and “The Cardsharps,” about 1595.




Yesterday, at the Art Institute.
The images above are my photos of detail from the following paintings:
■ “David Garrick as King Lear” by Richard Westall; about 1815
■ “The Penitent Saint Peter” by Jusepe de Ribera; about 1630
■ “Study Head of a Bearded Man” by Frans Floris; about 1565
■ “The Captive Slave (Ira Aldridge)” by John Philip Simpson; 1827
We attended member hours to to see Among Friends and Rivals: Caravaggio in Rome, but what really captured our imaginations was Remedios Varo: Science Fictions.

At the Field Museum.
Part of my Latin tutorial includes a survey of Roman history via SPQR by the always-excellent Mary Beard. Is it any wonder that I now regularly see Roman influence where I may have previously missed or overlooked it? A plaque describing a case of portrait masks in the Field Museum’s Egyptian exhibit indicates that once the Romans conquered the Egyptians (30 BCE), they adopted a number of Egyptian customs, including portrait masks — which were actually a Greek contribution to Egyptian traditions. The one pictured here is from the Ptolemaic-Roman Period.









The above are my images of detail from the following works:
■ Janitor by Duane Hanson, 1973
■ Wet Saturday by Martin Lewis, 1929
■ Le Penseur de Notre Dame by John Taylor Arms, 1923
■ The Fiddler by James Abbott McNeill Whistler, 1859
■ Untitled Anxious Audience by Rashid Johnson, 2017
■ Portrait of Frederick Layton by George Henry Yewell, circa 1888
■ Portrait of Dr. Karl Schwartz by Lovis Corinth 1916
■ The Card Players by Eduard vin Grützner, 1883
■ Triple Profile Portrait (The Mignons of Henry III) by School of Fontainebleau, 1570s





Detail from paintings in Van Gogh and the Avant-Garde: The Modern Landscape:
— “Roadway with Underpass, Asnières“ by Vincent Van Gogh (1887)
— “The Fortification of Paris with Houses” Vincent Van Gogh (1887)
— “The Restaurant Rispal at Asnières” by Vincent Van Gogh (1887)
— “Railway Junction near Bois-Colombes” by Paul Signac (1885-86)
— “Strolling Man next to Tree on a Bank (Study for ‘La Grande Jatte’)” by Georges Seurat (about 1894)